No one's any right to be what father is - never questioned, never answered back... First staged in 1912 and described as "the most powerful play produced in England in this decade," Githa Sowerby's Edwardian classic on family and labour enjoyed huge success in London and New York before disappearing from view. In a Northern industrial town, John Rutherford rules both factory and family with an iron will. But even as the furnaces burn relentlessly at the Glassworks, at home his children begin to turn against him. Sowerby's astonishing play was inspired by her own experience of growing up in a family-run factory in Gateshead. Writing in 1912, when female voices were seldom heard on British stages, she now claims her place alongside Ibsen and Bernard Shaw with this searing depiction of class, gender and generational warfare. This new edition was published to coincide with the National Theatre's revival in May 2019.
Githa Sowerby Livres



Withefforts by feminist scholars and theatre artists to rediscover the work of forgotten women writers, Githa Sowerby and her dramas have secured renewed interest. This Broadview edition provides historical contexts for Sowerby's dramas, and demonstrates the ongoing cogency of these dynamic, insightful, and engaging plays.
The Stepmother
- 124pages
- 5 heures de lecture
Lois Relph, a young stepmother with two stepdaughters for whom she cares deeply and her own thriving business, appears contented and in charge. But this is 1924, so does she really have control of her own money, or even her life, and what will she be able to do if things are in danger of going wrong both personally and professionally? It needs courage and determination to define what being a wife, mother and businesswoman means and it is not easy. A story whose resonance is still felt today.