The Economics Of Inheritance
- 290pages
- 11 heures de lecture
Josiah Wedgwood fut un potier et industriel pionnier qui révolutionna la fabrication de céramiques. Ses innovations et son approche d'usine jetèrent les bases de l'industrie moderne. Au-delà de son sens des affaires, il fut un abolitionniste passionné qui utilisa ses talents artistiques pour plaider contre l'esclavage. Son emblématique médaillon "Ne suis-je pas un homme et un frère ?" devint un puissant symbole du mouvement abolitionniste, démontrant son engagement à utiliser son influence pour le bien de la société.






The book is a facsimile reprint, which may include imperfections like marks, notations, marginalia, and flawed pages. This reproduction preserves the original content while highlighting the unique characteristics of the source material.
The collection features letters from Josiah Wedgwood to his business partner Thomas Bentley, spanning from 1762 to 1794. These correspondences provide insight into the development of Wedgwood's pottery business and his innovative practices. They reveal the challenges and successes faced during a transformative period in the ceramics industry, as well as the personal and professional dynamics between the two men. The letters serve as a valuable historical document, reflecting the entrepreneurial spirit of the 18th century.
This fascinating 1873 publication is a version of the catalogue produced by the Wedgwood company almost one hundred years earlier, in 1787. A brief history of the catalogues is provided, followed by a long list of the cameos, intaglios, figurines, vases, and dinner, tea and coffee services which the firm offered.