The book showcases the artistic journey of a renowned NYC graffiti writer, featuring a rich collection of photographs of his work alongside insights into his influences and experiences. It offers a glimpse into the vibrant and dynamic world of New York's graffiti scene, highlighting the evolution of street art and the writer's personal narratives from decades of involvement in this subculture.
See the New York City transit system at a time the Metropolitan Transit Authority (MTA) has tried hard to forget. In the early '80s, graffiti writer Paul Cavalieri, who writes CAVS, was drawn to the colorful tags on trains. He started learning train schedules so he could snap works by many writers of the time. This is a compilation of subway graffiti from 1983 to 1989, when the MTA announced that its fleet was entirely graffiti-free. More than 325 color photos capture everything from motion-bombed train interiors riddled with pilot marker tags to epic works covering whole exteriors, top to bottom. Artists tell their tales of adventure throughout and reminisce about working on live third rails, navigating the complex subway system to find their works, and witnessing graffiti's gradual disappearance from the trains. This book presents a nostalgic look at 1980s New York City and the street artists that gave it soul.
Join Paul "Cavs" Cavalieri on a journey through graffiti history and the evolution of a major cultural landmark. In this account, Cavs shares his experiences under the Bronx's East 238th Street bridge, which over the years has become a Bronx "Graffiti Hall of Fame," through an astonishing, lifelong photographic diary. From the late 1950s to the 1990s, graffiti artists would congregate here to express themselves by unleashing their creative energy. In this adopted home away from home, generations of graffiti artists formed bonds as well as rivalries. Take in four decades' worth of work from prolific artists including Boots119, Sent, and Sien5. Also represented are graffiti writers from the Woodlawn and Wakefield neighborhoods, connected by the famous concrete viaduct built between 1929 and 1931, as well as unique and personal insights into successive generations of crews, such as a recent, major contributor from Matilda Avenue.
This is a nostalgic, visual account of the best time and place to be a graffiti writer. In the 1980s, brothers Kenny, a.k.a. KEY, and Paul, a.k.a. CAVS, immersed themselves in the graffiti scene in the Boogie Down Bronx, dutifully photographing hundreds of pieces on now-discontinued MTA subway cars and capturing their proud comrades before, during, and after the act. "Bombing" "White Elephants" with their pilot markers and documenting them with their cameras, which they always carried, they were on the ride of their lives--until 1989, when the last painted train was removed from service. Tags by names like QUIK, IZTHEWIZ, and many others appear here in color exposures, and dozens of artists share stories and drop knowledge with no filter. A foreword by graffiti historian Henry Chalfant, coproducer of Style Wars--the seminal documentary on New York graffiti and hip-hop culture--kicks things off.