Anne Jamison est l'auteure de trois livres critiques et d'un roman pour jeunes adultes. Son écriture explore en profondeur la littérature de genre, en dévoilant sa signification culturelle et en examinant analytiquement ses formes. Son travail équilibre souvent la rigueur académique avec un style accessible et captivant, s'adressant aussi bien aux universitaires qu'aux lecteurs généraux intéressés par une exploration littéraire réfléchie.
Set in the Chicago suburbs during the tumultuous year of 1985, the narrative unfolds in a high school environment marked by social tensions and dark themes. It explores issues of misogyny, homophobia, and class conflict against a backdrop of adolescent life, all while a blood-stained Mercedes symbolizes the chaos and consequences of drug use, specifically cocaine. The story captures the struggles of youth navigating a world rife with societal challenges.
Poetics en Passant presents a 'cross-channel' poetics that redefines the relationship between 'Victorian' and 'modern' poetry by understanding Christina Rossetti's poetics of 'stealth' as an important counterpart to Baudelairean 'shock.'
Explores the history and culture of fanwriting and how it has transformed popular culture as well as reading, writing, and authorship, and includes discussions from both professional and fan writers.
A study of 19th-century Irish authors, Edith Somerville and Martin Ross, and their literary collaboration, particularly the latter's influence on their writing and professional careers. New and in-depth archival research is used to rethink Somerville and Ross's joint authorship within the historical intellectual and literary culture.