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Mirja Quix

    Selbsterfahrung zwischen Künstler- und Bürgertum in Thomas Manns Tonio Kröger und Der Tod in Venedig
    The depiction of Popular Culture with \"The Simpsons\" in Anne Washburn's \"Mr. Burns, a Post-Electric Play\"
    Monsters, Darkness, Imagination. On Horror in Children's Literature
    Sexuality, Aesthetics and Morality in "The Picture of Dorian Gray" by Oscar Wilde
    • The exploration of Oscar Wilde's work highlights its reflection of the Victorian era, which spanned from 1837 to 1901. This period's literary landscape, marked by evolving ideas about art and aesthetics, significantly influenced how art was perceived and the relationship between artists and their audiences. The paper delves into these recurring themes and literary approaches, providing insight into the complexities of Victorian literature and its impact on artistic expression.

      Sexuality, Aesthetics and Morality in "The Picture of Dorian Gray" by Oscar Wilde
    • Focusing on the elements of horror in children's literature, this thesis examines their impact on young readers and argues for their inclusion in children's books. It delves into how these elements shape the reading experience and contribute to the development of critical thinking and emotional resilience in children. By analyzing various works, the study highlights the significance of horror as a literary device in fostering engagement and understanding among young audiences.

      Monsters, Darkness, Imagination. On Horror in Children's Literature
    • Die Studienarbeit untersucht die Figur des Tonio Kröger, der sich in einem ständigen Konflikt zwischen bürgerlicher Existenz und künstlerischer Identität befindet. Diese innere Zerrissenheit wird zur Lebensaufgabe für ihn, da er immer wieder auf Widerstände stößt, die seine Bemühungen um eine klare Positionierung erschweren. Die Analyse beleuchtet die Herausforderungen und Spannungen, die mit dieser dualen Identität verbunden sind und bietet einen tiefen Einblick in die Themen der Selbstfindung und der gesellschaftlichen Erwartungen.

      Selbsterfahrung zwischen Künstler- und Bürgertum in Thomas Manns Tonio Kröger und Der Tod in Venedig