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James Steffen

    Cet auteur plonge profondément dans l'histoire du cinéma, avec un accent particulier sur le cinéma soviétique et postsoviétique. Son travail, inspiré par le style visuel et le folklore culturel, explore les manifestations complexes des arts. Au-delà du cinéma, l'auteur s'engage dans la littérature et la musique, sa production romanesque étant née d'un long séjour à Las Vegas. Par ses efforts littéraires, l'auteur offre une perspective unique sur la culture et l'expression artistique.

    The Cinema of Sergei Parajanov
    • The Cinema of Sergei Parajanov

      • 306pages
      • 11 heures de lecture
      4,5(33)Évaluer

      Sergei Parajanov (1924–90) flouted the rules of both filmmaking and society in the Soviet Union and paid a heavy personal price. An ethnic Armenian in the multicultural atmosphere of Tbilisi, Georgia, he was one of the most innovative directors of postwar Soviet cinema. Parajanov succeeded in creating a small but marvelous body of work whose style embraces such diverse influences as folk art, medieval miniature painting, early cinema, Russian and European art films, surrealism, and Armenian, Georgian, and Ukrainian cultural motifs.This is the first English-language book on the director’s films and the most comprehensive study of his work. James Steffen provides a detailed overview of Parajanov’s artistic career: his identity as an Armenian in Georgia and its impact on his aesthetics; his early films in Ukraine; his international breakthrough in 1964 with ‘Shadows of Forgotten Ancestors’;his challenging 1969 masterpiece, ‘The Color of Pomegranates’, which was reedited against his wishes; his unrealized projects in the 1970s; and his eventual return to international prominence in the mid-to-late 1980s with ‘The Legend of the Surami Fortress’ and ‘Ashik-Kerib’

      The Cinema of Sergei Parajanov