Music possesses for many listeners an uncanny ability to express our experience of time. This book explores the conceptions of time, memory and history found in the instrumental compositions of Felix Mendelssohn, presenting an intriguing new perspective on his ever-popular music.
Fanny Hensel's String Quartet in E flat major represents a pivotal moment in her life and a significant contribution to 19th-century music by a female composer. As Hensel navigated her identity and societal expectations, this work emerged in a male-dominated genre. Benedict Taylor's insightful analysis places this quartet within the broader context of women's music, focusing on its strengths and qualities rather than merely critiquing obstacles faced by female composers. The book enriches the understanding of Hensel's artistry and its relevance to contemporary discussions on women's contributions to music.
Focusing on Robert Schumann's music, this critical examination delves into the concept of musical subjectivity, exploring its philosophical and theoretical implications. By integrating philosophy, critical theory, and music analysis, the book seeks to unravel the complexities of this elusive idea, offering insights into how subjectivity manifests in Schumann's compositions.