Exploring contemporary Anglophone theatre since the 1960s, the book delves into the evolving nature of theatre-making. It distinguishes between scenography, which relates to spatial orientation, and scenographics, which influences the creation of new worlds. This critical examination highlights the fluidity and interconnectedness within modern theatrical practices.
Los Angeles-based artist Silke Otto-Knapp has developed a painting practice characterized by its rigorous process and attentiveness to the medium’s possibilities. Using layers of black watercolor pigment, she builds up delicate surfaces, producing subtle variations in density and a powerful sense of atmosphere. Otto-Knapp’s exhibition at the Renaissance Society, In the waiting room , presented a new group of large-scale free-standing paintings in that evokes a multidimensional stage set. Some depict silhouetted bodies while others introduce scenic elements reminiscent of painted backdrops.Offering a close look at the exhibition, this volume includes an array of illustrations, a conversation between curator Solveig Øvstebø and the artist, and four newly commissioned essays by Carol Armstrong, Darby English, Rachel Hann, and Catriona MacLeod, grounded in art history and performance studies.