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Eilean Ni Chuilleanain

    Eiléan Ní Chuilleanáin est une poétesse irlandaise dont l'œuvre emploie des métaphores transformatrices et étendues pour explorer et inverser les structures des royaumes intérieurs, naturels et spirituels. Elle questionne constamment la réalité et la vérité de ses sentiments, cherchant à répondre par l'acte d'écrire de la poésie. Ses poèmes sont décrits comme puissants, possédant un son dense et captivant et une magie qui aide notre compréhension du monde. Grâce à son imagination, elle guide les lecteurs dans des paysages altérés ou vidés, créant des mondes complets en eux-mêmes.

    Collected Poems Eiléan Ní Chuilleanáin
    The Mother House
    • 2021

      Collected Poems Eiléan Ní Chuilleanáin

      • 424pages
      • 15 heures de lecture

      Eiléan Ní Chuilleanáin's Collected Poems gathers nine collections of poetry, from Acts and Monuments (1972) to The Mother House (2020), as well as new poems and translations. Her poetry is scrupulously controlled but also continuously startling, using the language of history, religion, landscape, and myth. Travelers, pilgrims, and women--especially the veiled subject of the nun?remind us of our deepest inner sanctum with its litany of spiritual truths, human fears, and needs. These images also catalogue the importance of the ordinary and the domestic as metaphors for human experiences and emotions. Ní Chuilleanáin allows those who have been silenced by history to surface in art as surreal but living presences. It is now unquestionably apparent that she is one the major poets in contemporary Ireland.

      Collected Poems Eiléan Ní Chuilleanáin
    • 2020

      The Mother House

      • 80pages
      • 3 heures de lecture

      The Mother House is rich with images of orphans, exiles, migrants, decay, destruction, famine, disaster, the cloistered, the drowned, the marginalized, as well as disappearance and memory, music and loss. The poems speak of histories, in Ireland and elsewhere, as allegories of our age. Yet, the poetic is not offered as a salvo or a salve, for as the poet questions, "We made the long journey // to deliver the gesture, but who has noticed us?" Ní Chuilleanain nevertheless proves that when the mirror is held at the right angle, the past can shed a telling light upon the present, observing with great acumen, "it was like history, held there / in view of another lifetime." In this remarkable volume, art and literature reflect human suffering and survival across many frontiers.

      The Mother House