Peter Collier Livres

Ce recueil d’études, ce Festschrift, fête l’œuvre de Béatrice Bonhomme et en même temps en fait l’analyse critique. Depuis vingt ans Bonhomme nourrit la poésie française de sa contribution d’écrivain, de professeur de lettres à Nice et d’éditrice de la revue Nu(e) où elle accueille les meilleurs poètes de notre temps. Cet ouvrage reflète entre autres les rapports et les correspondances qui relient son travail à celui d’autres artistes, autant visuels que poétiques. Il s’emploie à saisir la créativité multiple du poète architecte et archéologue de la parole et à exalter ce qui, dans son verbe, évoque la fouille et la fresque, le chant orphique et la toile abstraite, la cisaille et la musique syncopée. Il présente un modèle détaillé de la théorie poétique actuelle comme elle s’élabore dans l’œuvre de Bonhomme. Chaque chapitre cible un des thèmes dominants de son œuvre poétique. Tout en se servant d’approches diverses, leur trait d’union et point culminant est leur appréciation d’une écriture personnelle et courageuse, traitant sans arrière pensée de l’amour et de l’enfance, des mots et de la mort.

Chômeur, Etienne Lantier est monté vers le Nord, vers les mines. On embauche là-bas, dit-on... Mais c'est une vie de cauchemar qu'il découvre. Dans les galeries torrides, les mineurs rampent et creusent. L'eau ruisselle, le grisou rôde. Et dans les corons, c'est la faim, la promiscuité la plus bestiale. Un seul sourire dans la vie d'Etienne : celui de Catherine, quinze ans, qui, elle aussi, descend au fond chaque jour. Face à la crise qui menace, la Compagnie ferme des puits. Lantier prend la tête de la grève. Les maîtres appellent la troupe... Lantier s'en va mais une lente germination est à l'œuvre contre la faim, l'oppression. " Germinal ! " L'avril du calendrier révolutionnaire !

"Using straightforward, accessible language, with numerous fully solved problems and clear derivations and explanations, this book is aimed at the enthusiastic general reader who wants to move beyond maths-lite popularisations and tackle the essential mathematics of this fascinating theory. (To paraphrase Euclid, there is no royal road to relativity - you have to do the mathematics.) For those with minimal mathematical background, the first chapter provides a crash course in foundation mathematics. The reader is then taken gently by the hand and guided through a wide range of fundamental topics, including Newtonian mechanics; the Lorentz transformations; tensor calculus; the Einstein field equations; the Schwarzschild solution; the four classical tests of general relativity; simple black holes; the mysteries of dark energy and the cosmological constant; and the Friedmann equations and Friedmann-Robertson-Walker cosmological models."--Provided by publisher

Focusing on Venice, this study delves into the intricacies of Proust's renowned novel, exploring how the city influences themes of memory, time, and identity. It examines the significance of Venice within the narrative, highlighting its impact on the characters and their experiences. The analysis offers insights into Proust's literary techniques and the broader implications of place in shaping human consciousness.

Peter F. Collier (1849–1909) and Robert J. Collier (1876–1918) were the men behind publishing giant Peter F. Collier & Son, and their organization ranked among America's most prestigious firms. Collier's Weekly, which appeared in various forms from 1888 through 1957, was at the forefront of new publishing technologies, such as the use of halftone images, and was noted for its fiction and investigative journalism. Collier's publications regularly employed the best illustrators of the day, and the company frequently produced collections of favorite works from their popular periodicals.This volume presents the best color and black-and-white images from two rare portfolios, originally printed in 1908 and 1914. Featured artists include Charles Dana Gibson, whose contract with Collier's made his "Gibson Girl" a fixture in American culture, and Maxfield Parrish, who created many illustrations and covers for the magazine. Additional contributors include Howard Pyle, Jessie Willcox Smith, J. C. Leyendecker, Frederic Remington, and other noteworthy American artists of the early twentieth century.

In this highly original work, Pierre Bourdieu turns his attention to the academic world of which he is part and offers a brilliant analysis of modern intellectual culture. The academy is shown to be not just a realm of dialogue and debate, but also a sphere of power in which reputations and careers are made, defended and destroyed. Employing the distinctive methods for which he has become well known, Bourdieu examines the social background and practical activities of his fellow academics―from Foucault, Derrida, and Lacan to figures who are lesser known but not necessarily less influential. Bourdieu analyzes their social origins and current positions, how much they publish and where they publish it, their institutional connections, media appearances, political involvements and so on. This enables Bourdieu to construct a map of the intellectual field in France and to analyze the forms of capital and power, the lines of conflict and the patterns of change, which characterize the system of higher education in France today. Homo Academicus paints a vivid and dynamic picture of French intellectual life today and develops a general approach to the study of modern culture and education. It will be of great interest to students of sociology, education and politics as well as to anyone concerned with the role of intellectuals and higher education today.

Presents a story of an intellectual journey into and out of the radical trenches.

Discusses the Kennedys and reveals the true stories behind America's most famous family.