The book offers a groundbreaking examination of Chekhov's plays through a cross-cultural lens, focusing on their production across different cultures. It explores how various interpretations and performances influence the understanding of Chekhov's work, highlighting the interplay between cultural context and theatrical expression. This unique study sheds light on the diverse ways in which Chekhov's themes resonate globally, making it a significant contribution to both theatre studies and comparative literature.
Laurence Senelick Livres
Laurence Senelick est une figure de proue des études théâtrales, dont le travail examine l'intersection de la performance, de l'histoire et de la culture. Ses essais critiques et ses recherches explorent les liens profonds entre les textes dramatiques et leur mise en scène, révélant comment le théâtre est façonné par les changements sociétaux et les façonne. Grâce à sa profonde compréhension de l'histoire et de la pratique théâtrales, Senelick éclaire la nature complexe des arts dramatiques et leur impact durable.





Exploring the rich history of theatrical cross-dressing, this book delves into its origins and cultural variations throughout different eras. As the first comprehensive cross-cultural examination of theatrical transvestism, it highlights the significance and evolution of this unique performance art across various societies.
Exploring musical theatre, nineteenth-century culture, modern stagecraft, and the development of modern sexual mores, this book presents a global view of the influence of Offenbach and his comic operas. The volume demonstrates his central role in theatrical innovation and his impact on wider society and culture.
The lives, deeds and jests of notable clowns have been recorded from authentic sources and picturesque legends.
The Final Curtain: The Art of Dying on Stage
- 206pages
- 8 heures de lecture
Focusing on the representation of dying in theatre, this book explores how actors convey complex ideas and emotions related to death in a way that resonates with audiences. It examines the approaches playwrights have taken to depict death and the cultural attitudes surrounding it, while placing a strong emphasis on the art of acting itself. The text delves into the intricate relationship between performance and the profound themes of mortality, offering insights into both historical and contemporary theatrical practices.