Laurence Senelick est une figure de proue des études théâtrales, dont le travail examine l'intersection de la performance, de l'histoire et de la culture. Ses essais critiques et ses recherches explorent les liens profonds entre les textes dramatiques et leur mise en scène, révélant comment le théâtre est façonné par les changements sociétaux et les façonne. Grâce à sa profonde compréhension de l'histoire et de la pratique théâtrales, Senelick éclaire la nature complexe des arts dramatiques et leur impact durable.
Exploring musical theatre, nineteenth-century culture, modern stagecraft, and the development of modern sexual mores, this book presents a global view of the influence of Offenbach and his comic operas. The volume demonstrates his central role in theatrical innovation and his impact on wider society and culture.
The lives, deeds and jests of notable clowns have been recorded from authentic sources and picturesque legends.
Focusing on the representation of dying in theatre, this book explores how actors convey complex ideas and emotions related to death in a way that resonates with audiences. It examines the approaches playwrights have taken to depict death and the cultural attitudes surrounding it, while placing a strong emphasis on the art of acting itself. The text delves into the intricate relationship between performance and the profound themes of mortality, offering insights into both historical and contemporary theatrical practices.