Rudolf Chalupský Livres

Výbor z povídek prvního anglicky píšícího nositele Nobelovy ceny za literaturu.

'Tender and elegant' Guardian 'Unlike anything else in modern English literature' D.J. Taylor, Spectator A damaged survivor of the First World War, Tom Birkin finds refuge in the quiet village church of Oxgodby where he is to spend the summer uncovering a huge medieval wall-painting. Immersed in the peace and beauty of the countryside and the unchanging rhythms of village life he experiences a sense of renewal and belief in the future. Now an old man, Birkin looks back on the idyllic summer of 1920, remembering a vanished place of blissful calm, untouched by change, a precious moment he has carried with him through the disappointments of the years. Adapted into a film starring Colin Firth, Natasha Richardson and Kenneth Branagh, A Month in the Country traces the slow revival of the primeval rhythms of life so cruelly disorientated by the Great War. With an introduction by Penelope Fitzgerald

At its peak in the nineteenth century, the British Empire was the largest empire ever known, governing roughly a quarter of the world's population. In Empire, Niall Ferguson explains how "an archipelago of rainy islands... came to rule the world," and examines the costs and consequences, both good and bad, of British imperialism. Though the book's breadth is impressive, it is not intended to be a comprehensive history of the British Empire; rather, Ferguson seeks to glean lessons from this history for future, or present, empires--namely America. Pointing out that the U.S. is both a product of the British Empire as well as an heir to it, he asks whether America--an "empire in denial"--should "seek to shed or to shoulder the imperial load it has inherited." As he points out in this fascinating book, there is compelling evidence for both. Observing that "the difficulty with the achievements of empire is that they are much more likely to be taken for granted than the sins of empire," Ferguson stresses that the British did do much good for humanity in their quest for domination: promotion of the free movement of goods, capital, and labor and a common rule of law and governance chief among them. "The question is not whether British imperialism was without blemish. It was not. The question is whether there could have been a less bloody path to modernity," he writes. The challenge for the U.S., he argues, is for it to use its undisputed power as a force for positive change in the world and not to fall into some of the same traps as the British before them. Covering a wide range of topics, including the rise of consumerism (initially fueled by a desire for coffee, tea, tobacco, and sugar), the biggest mass migration in history (20 million emigrants between the early 1600s and the 1950s), the impact of missionaries, the triumph of capitalism, the spread of the English language, and globalization, this is a brilliant synthesis of various topics and an extremely entertaining read. --Shawn Carkonen

From the author of THE FRENCH LIEUTENANT'S WOMAN, a novel first published by Jonathan Cape in 1977. Set in various international locations over the course of three decades, an account of an Englishman's attempt to see himself and his time in the mirrors of the past.

Dva klíčové prvky díla světoznámého britského prozaika karibského původu – autobiograficky pojatý příběh uměleckého zrání a cesty za vlastním já a nezjednodušený obraz postkoloniální situace třetího světa – se v románové sekvenci z poloviny 90. let, řadící se k vrcholným autorovým prózám, projevují se zvlášť výraznou naléhavostí. V časově i tematicky široce pojatém cyklu devíti kapitol sjednoceném rodným karibským regionem se Naipaulovi podařilo skloubit tragické historické osudy evropských objevitelů a dobyvatelů, epizody z poválečného politického vývoje i osobně laděný příběh hledání vlastních kořenů v neobyčejně originální a přesvědčivý celek, potvrzující autorovu mistrovskou schopnost reflexe historického vývoje i vlastního osudu.

Suffused with rich satire, chaotic brilliance, verbal turbulence and wild humour, The Crying of Lot 49 opens as Oedipa Maas discovers that she haas been made executrix of a former lover's estate. The performance of her duties sets her on a strange

Dans Prague la mélancolique, le singulier baron Utz vit depuis des années parmi une collection d'anciennes figurines en porcelaine de Saxe, dont le pouvoir communiste a bien voulu lui laisser la garde. Mais pourquoi les précieuses figurines disparaissent-elles à sa mort, en 1974 ? De l'ancienne légende pragoise du Golem au rôle de la fidèle Marta, servante-maîtresse, le narrateur devra, pour percer l'énigme de notre rapport secret avec les choses, s'aventurer dans bien des ambiguïtés. Ecrivain du voyage, Bruce Chatwin explore, avec ce livre terminé peu avant sa mort en 1989, la passion intime, introvertie, du collectionneur. Utz le sédentaire et Chatwin l'errant se retrouvent dans leur fascination pour l'art, quête désespérée du beau. Et la mystérieuse alchimie entre création et réalité. Marion Scali, Libération.