Jane Gardam Livres

The flag that is shown, literally and metaphorically, by these characters is always the Union Jack. Gardam's stories are acutely observed social commentaries on Englishness, its weaknesses and its illusions.

Filth (Failed in London, try Hong Kong) is a successful lawyer when he marries Elisabeth in Hong Kong soon after the War. Reserved, immaculate and courteous, Filth finds it hard to demonstrate his emotions. But Elisabeth is different - a free spirit. She was brought up in the Japanese Internment Camps, which killed both her parents but left her with a lust for survival and an affinity with the Far East. No wonder she is attracted to Filth's hated rival at the Bar - the brash, forceful Veneering. Veneering has a Chinese wife and an adored son - and no difficulty whatsoever in demonstrating his emotions ...How Elisabeth turns into Betty and whether she remains loyal to stolid Filth or is swept up by caddish Veneering, makes for a page-turning plot in a perfect novel which is full of surprises and revelations, as well as the humour and eccentricites for which Jane Gardam's writing is famous.

A collection of stories about animals, written by different authors. Each story has its original illustrations. The list of authors includes Dick King-Smith, Susan Hill, Jane Gardam, Vivian French, Martin Waddell, Ann Pilling, Michael Rosen, Jan Mark, Phillips Pearce, Sarah Hayes, Brian Patten, Robert Leeson, Ann Jungman, Sam McBratney, Berlie Doherty and Gillian Cross.

A collection of short stories from one of the most satisfying prose stylists of contemporary British fiction. Some have a Christmas theme, others are fables, many of them carry a touch of surrealism. The author is the winner of numerous literary prizes, including the Macmillan Silver Pen Award.

A stunning novel, winner of the Whitbread Award, by the author of Old Filth and Last Friends.

Throughout her career, prize-winning novelist Jane Gardam has been writing glorious short stories, each one hallmarked with all the originality, poignancy, wry comedy and narrative brilliance of her longer fiction. Passion and longing, metamorphosis and enchantment are Gardam's themes, and like a magician she plucks them from the quietest of corners: from Wimbledon gardens and cold churches, from London buses and industrial backstreets. A mother watching her children on the beach dreams of a long-lost lover, an abandoned army wife sees a ghost at a moorland gate, a translator adrift in Geneva is haunted by the unspeakable manifestation of her own fears, and a colonial servant wreaks a delicious revenge on her monstrous masters. Gardam's cast is wide and wonderful, saints and mystics, trollops and curmudgeons, yearning mothers and lost children, beloved figures such as Old Filth and less familiar - but equally unforgettable - characters like Signor Settimo, the sad-eyed provincial photographer marooned in Shipley or Florrie Ironside, the ferocious matron he seduces. With a mischievous ear for dialogue, a glittering eye for detail and a capacious understanding of the vagaries of the human heart, Jane Gardam's stories will captivate, sadden and delight.

Old Filth was a "child of the raj". His earliest memories are of his amah, a teenage Malay girl. But soon he is torn away from the only person who loves him and sent to be educated at "home", where he is boarded out with strangers. What is the terrible secret the children shared? What happened at the farmhouse in the Lake District?

'I ought to tell you at the beginning that I am not quite normal having had a violent experience at the age of nine' Jessica Vye's 'violent experience' colours her schooldays and her reaction to the world around her- a confining world of Order Marks, wartime restrictions, viyella dresses, nicely-restrained essays and dusty tea shops. For Jessica she has been told that she is 'beyond all possible doubt', a born writer. With her inability to conform, her absolute compulsion to tell the truth and her dedication to accurately noting her experiences, she knows this anyway. But what she doesn't know is that the experiences that sustain and enrich her burgeoning talent will one day lead to a new- and entirely unexpected- reality.

Raised by her aunts after her father's death, Polly Flint spends the rest of her life in their home, emotionally shipwrecked like her hero, Robinson Crusoe.

A new collection of stories from a writer at the height of her powers and celebrated stylist admired for her caustic humor, freewheeling imagination, love of humanity and wicked powers of observation. This is a delightful grouping of stories, witty and wise, that includes the return of Sir Edward Feathers, Old Filtha himself.

Old Filth and The Man in the Wooden Hat told with bristling tenderness and black humour the stories of that Titan of the Hong Kong law courts, Old Filth QC, and his clever, misunderstood wife Betty. Last Friends, the final volume of this trilogy, picks up with Terence Veneering, Filth's great rival in work and - though it was never spoken of - in love. Veneering's were not the usual beginnings of an establishment silk: the son of a Russian acrobat marooned in northeast England and a devoted local girl, he escapes the war to emerge in the Far East as a man of panache, success and fame. But, always, at the stuffy English Bar he is treated with suspicion: where did this blond, louche, brilliant Slav come from? Veneering, Filth and their friends tell a tale of love, friendship, grace, the bittersweet experiences of a now-forgotten Empire and the disappointments and consolations of age

A wonderful bittersweet story about a misguided do-gooder.

When sweet, healthy hearty Holly Fox dies suddenly in childbirth, the Surrey village whose pearl she was reverberates with shock. She leaves behind her a helpless, silent husband, and a tiny daughter, Faith. Everyone assumes Holly's loving and capable mother Thomasina will look after Faith, but when she unaccountably deserts her newborn grandchild, the baby must be packed off to her father's peculiar family in the North - 'the very strangest people you ever saw my dear'. With wisdom, generosity, and understanding, Jane Gardam takes as her subject the English heart in all its eccentric variety. FAITH FOX sheds a clear, true light on the pain of bereavement whilst always offering the joyous possibility of a new beginning.

When her father breaks his leg and everything goes wrong on their farm, seven-year-old Kit, who has the reputation of being a cry-baby, proves to her family that she can be brave in times of crisis.

»Große Erzählkunst.« Eberhard Falcke, SWR 2 ›lesenswert‹ Es ist Sommer, und die achtjährige Margaret ist schwer genervt: Der frischgeborene Bruder ist hässlich und schreit, die Mutter hat sich in ein träges, ausschließlich stillendes Wesen verwandelt, der Vater predigt gegen die Verderbtheit der Welt. Aber ein Mal in der Woche kann Margaret der Langeweile zu Hause entfliehen: Mittwoch ist Ausflugstag mit Lydia, dem neuen Hausmädchen, die mit ihrer selbstbewussten Körperlichkeit und handfesten Sprache in diese Familie platzt und als einzige Erwachsene wirklich zu wissen scheint, was sie will – Spaß. Ihre Anwesenheit eröffnet nicht nur Margaret eine neue Welt, sie bringt auch das bigotte familiäre System aus dem Gleichgewicht, und am Ende dieses Sommers wird nichts mehr so sein, wie es war. »Die britische Autorin erzählt mit gewohnt feiner Klinge.« Katharina Hirschmann, Ö1 ›ex libris‹ »Gardam beherrscht die große Kunst der verschiedenen Perspektiven und überraschenden Wendungen, mit der sie uns immer wieder packt.« David Eisermann, WDR5 ›scala‹

Über das Leben einer zutiefst ungewöhnlichen Frau England 1904 – Polly, mit sechs Jahren schon eine Pflegefamilien-Veteranin, kommt zu ihren frommen Tanten in das gelbe Haus am Meer. Hier gibt es kaum Unterhaltung, aber es gibt Bücher, und lesend entwickelt sich Polly unbemerkt zu einer stillen, unbeugsamen Rebellin. Ein Buch liest sie immer wieder: ›Robinson Crusoe‹ wird zu ihrem Kompass in jeder Lebenslage. Ihre eigene einsame Insel verlässt Polly Flint nie ganz. Doch am Ende ihres fast ein Jahrhundert umspannenden Lebens wird sie Liebe und Enttäuschung, Depression und rettende Freundschaft kennengelernt und ihre Bestimmung gefunden haben. Ein großer Roman voller hinter gepolsterten Türen verborgener Geheimnisse, so raffiniert und klug, wie nur Jane Gardam sie inszenieren kann.

Meisterhaft erzählt die Bestseller-Autorin Jane Gardam von den Geheimnissen und Scheinheiligkeiten, ohne die wir im Leben nicht auskommen. Ein flirrender Sommerroman an der englischen Küste. Es ist Sommer, und Margaret ist acht und schwer genervt: Der frischgeborene Bruder ist hässlich und schreit, die Mutter hat sich in ein träge stillendes Wesen verwandelt, der Vater predigt gegen die Verderbtheit der Welt. Einmal in der Woche kann Margaret der Langeweile zu Hause entfliehen: Mittwoch ist Ausflugstag mit Lydia, dem neuen Hausmädchen, die mit ihrer selbstbewussten Körperlichkeit und handfesten Sprache in diese Familie platzt und als einzige Erwachsene wirklich zu wissen scheint, was sie will ─ Spaß. Ihre Anwesenheit eröffnet nicht nur Margaret eine neue Welt, sie bringt das bigotte familiäre System aus dem Gleichgewicht, und am Ende dieses Sommers wird nichts mehr so sein, wie es schien.

Man kann spannender aufwachsen als Marigold Green. Das Jungeninternat in Yorkshire, dem ihr Vater vorsteht, ist alles, was sie mit siebzehn von der Welt gesehen hat, richtige Freunde hat sie keine, und die Kommunikation mit ihrem Vater beschränkt sich auf schweigsame abendliche Schachpartien. Grell sind hier nur ihre leuchtend orangeroten Locken, ihre übersteigerte Fantasie und ihr vollkommen unangepasstes Auftreten. Da kehrt aus dem Nichts ihre einzige Kindheitsfreundin Grace zurück, von der sie jahrelang nichts gehört hat, umwerfend schön, nonchalant und rätselhaft, und plötzlich ist nichts mehr, wie es war … Mit ihrem ganz besonderen Humor erzählt Jane Gardam von den Grausamkeiten der Adoleszenz und der verblüffenden Allgegenwart des Eros in der bigotten nachviktorianischen Gesellschaft.