James Gibbs Livres

One of England's most respected and influential architects, James Gibbs was born in Scotland, studied in Rome, and left a legacy of design the world will treasure forever. His legendary 1728 folio, a sprawling gallery of Gibbs's magnificent drawings, perspectives, and blueprints, is a brilliant testimony to his remarkable talent.Profusely illustrated, the volume features such notable commissions as London's St. Martin in the Fields — the inspiration for many steeple churches of the colonial period in America; St. Mary le Strand, his first public building; Marybone Chapel; The Church of Allhallows in Derby; plus Gibbs's first commission, an addition for King's College at Cambridge. His most outstanding accomplishment may be the circular Radcliffe Library at Oxford, for which he received a Master of Arts. Also included here are detailed floor plans, plus fine drawings of decorative marble cisterns, ornamental iron gates, stately funeral monuments, and much more. Essential for an understanding of classic architecture, this stunning edition should grace the bookshelf of every architect, as well as architectural students, teachers, and historians.

If vehicle manufacturing were a country it would be the sixth largest economy in the world. Drive down the road of automobile history with Cars. Over 400 photographs showcase some of the best vehicles today from luxury cars to family sedans.

Culturally significant, this work has been preserved to reflect its original form, including copyright references and library stamps. It serves as a vital piece of civilization's knowledge base, showcasing the importance of historical artifacts in understanding our heritage. The reproduction aims to maintain authenticity, allowing readers to engage with the text as it was originally presented.

Babalawo, Mystery-Master explores the rich tapestry of Yoruba culture through its engaging narrative and characters. The play delves into themes of spirituality, destiny, and the interplay between the seen and unseen worlds. Agbo Sikuade's work invites readers to experience the intricacies of traditional beliefs while highlighting the wisdom of the Babalawo, a revered spiritual figure. The story combines elements of drama and mysticism, offering a profound insight into the human experience and the quest for understanding in a complex universe.

Examines the impact of new media (such as video and YouTube) and the use of multi-media on live and recorded performance in Africa. Focuses on the ways African theatre and performance relate to various kinds of media. Includes contributions on dance; popular video, with an emphasis on video drama and soaps from Eastern and Southern Africa, and the Nigerian 'Nollywood' phenomenon; the interface between live performance and video (or still photography), and links between on-line social networks and new performance identities. As a group the articles raise, from original angles, the issues of racism, gender, identity, advocacy and sponsorship. Volume Editor: DAVID KERR is Professor of English in the University of Botswana, and is the author of African Popular Theatre Series Editors: Martin Banham, Emeritus Professor of Drama & Theatre Studies, University of Leeds; James Gibbs, Senior Visiting Research Fellow, University of the West of England; Femi Osofisan, Professor of Drama at the University of Ibadan; Jane Plastow, Professor of African Theatre, University of Leeds; Yvette Hutchison, Associate Professor, Department of Theatre & Performance Studies, University of Warwick

This second annual volume in the African Theatre series focuses on the intersection of politics and theatre in Africa today. Topics include the remarkable collaboration between Horse and Bamboo, a puppet theatre company based in the United Kingdom, and Nigerian playwright Sam Ukala that was inspired by the infamous execution of Nigerian playwright Ken Saro-Wiwa and other Ogoni activists; the plays of Femi Osofisan; and plays by Ghanaian playwrights Joe de Graft and Mohammed Ben-Abdallah. African Theatre features the work of Mauritian playwright Dev Virahsawmy and includes an interview with him, reviews of an English production of his play, Toufann, as well as the translated playscript. Reports of workshops and conferences, reviews, and news of the year in African theatre make this volume a valuable resource for anyone interested in current issues in African drama and performance.