Oliver Sacks Livres

La musique peut nous émouvoir, nous inciter à danser, ou nous rendre tristes et nostalgiques. Quand on est un neurologue aussi compétent qu'Oliver Sacks, et surtout mélomane de longue date, comment peut-on comprendre et décrire ce pouvoir ? Plus d'aires cérébrales sont affectées au traitement de la musique qu'à celui du langage : l'homme est donc véritablement une espèce musicale. Et c'est en déployant une galerie de portraits - du chirurgien devenu pianiste après avoir été frappé par la foudre au frère manchot de Wittgenstein, en passant par les handicapés mentaux mélomanes - que l'auteur questionne les rapports du cerveau et de la musique. Notre dimension musicale est ici décrite dans son étendue et sa profondeur, d'un point de vue scientifique, philosophique et spirituel.

Oliver Sacks décrit dans ce livre les affections les plus bizarres, celles qui atteignent un homme non seulement dans son corps, mais dans sa personnalité la plus intime et dans l'image qu'il a de lui même

Oliver Sacks died in August 2015 at his home in Greenwich Village, surrounded by his close friends and family. He was 82. He spent his final days doing what he loved: playing the piano, swimming, enjoying smoked salmon - and writing. As Dr Sacks looked back over his long, adventurous life his final thoughts were of gratitude. In a series of remarkable, beautifully written and uplifting meditations, in Gratitude Dr Sacks reflects on and gives thanks for a life well lived, and expresses his thoughts on growing old, facing terminal cancer and reaching the end. I cannot pretend I am without fear. But my predominant feeling is one of gratitude. I have loved and been loved; I have been given much and I have given something in return; I have read and travelled and thought and written. I have had an intercourse with the world, the special intercourse of writers and readers. Above all, I have been a sentient being, a thinking animal, on this beautiful planet, and that in itself has been an enormous privilege and adventure.

The letters of one of the greatest observers of the human species, revealing his passion for life and work, friendship and art, medicine and society, and the richness of his relationships with friends, family, and fellow intellectuals over the decades, collected here for the first time.

When Oliver Sacks was twelve years old, a perceptive schoolmaster wrote in his report: 'Sacks will go far, if he does not go too far.' It is now abundantly clear that Sacks has never stopped going. From its opening pages on his youthful obsession with motorcycles and speed, On the Move is infused with his restless energy. As he recounts his experiences as a young neurologist in the early 1960s, first in California and then in New York, where he discovered a long forgotten illness in the back wards of a chronic hospital, as well as with a group of patients who would define his life, it becomes clear that Sacks' earnest desire for engagement has occasioned unexpected encounters and travels - sending him through bars and alleys, over oceans, and across continents. With unbridled honesty and humour, Sacks shows us that the same energy that drives his physical passions - bodybuilding, weightlifting, and swimming - also drives his cerebral passions. He writes about his love affairs, both romantic and intellectual, his guilt over leaving his family to come to America, his bond with his schizophrenic brother, and the writers and scientists - A.R. Luria, W.H. Auden, Francis Crick - who influenced him. On the Move is the story of a brilliantly unconventional physician and writer - and of the man who has illuminated the many ways that the brain makes us human

In his books An Anthropologist on Mars and The Man Who Mistook His Wife for a Hat, Oliver Sacks details the lives of patients isolated by neurological disorders, shedding light on our common humanity and the ways in which we perceive the world around us. Now he looks at the effects of physical isolation in The Island of the Colorblind. On this journey, he carried with him the intellectual curiosity, kind understanding, and unique vision he has so consistently demonstrated. Drawn to the Micronesian island of Pingelap by reports of a community of people born totally colorblind, Dr. Sacks set up a clinic in a one-room dispensary. There he listened to patients describe their colorless world in terms rich with pattern and tone, luminance and shadow. Then, in Guam, he investigated a puzzling neurodegenerative paralysis, making housecalls amid crowing cockerels, cycad jungles, and the remains of a colonial culture. The experience afforded Sacks an opportunity to elaborate on such personal passions as botany and history and to explore the meaning of islands, the dissemination of species, the birth of disease, and the nature of deep geologic time.

As with The Man Who Mistook His Wife for a Hat, Oliver Sacks uses case studies to illustrate the myriad ways in which neurological conditions can affect our sense of self, our experience of the world, and how we relate to those around us. Writing with his trademark blend of scientific rigour and human compassion, he describes patients such as the colour-blind painter or the surgeon with compulsive tics that disappear in the operating theatre; patients for whom disorientation and alienation - but also adaptation - are inescapable facts of life.

The idea that some people think differently, though no less humanely, is explored in this inspiring book. Temple Grandin is a gifted and successful animal scientist, and she is autistic. Here she tells us what it was like to grow up perceiving the world in an entirely concrete and visual way - somewhat akin to how animals think, she believes - and how it feels now. Through her finely observed understanding of the workings of her mind she gives us an invaluable insight into autism and its challenges.

By the author of Seeing Voices', this is a narrative about the awakening of 20 patients from a zombie-like state they had suffered for over 40 years. A new drug meant the sleeping sickness disease was now treatable. Sacks tells the history, offers his own observations and the patients' reactions.