La poésie de Sharon Olds se caractérise par une sensualité robuste et un plaisir du physique, presque whitmanesque dans son approche. Elle élève les détails infimes de la vie quotidienne d'une femme en un sujet poétique valable, tout aussi valable que les grands thèmes abstraits qui ont préoccupé d'autres poètes. Son œuvre plonge souvent dans les détails intimes de l'expérience humaine, explorant des thèmes tels que le corps, la sexualité, la famille et le traumatisme avec une honnêteté sans faille. Olds transforme l'expérience personnelle en résonance universelle, captivant les lecteurs par sa voix authentique et sa perspective inébranlable.
Britain's most prestigious literary magazine brings you the very best new fiction, memoir, reportage, poetry, photography and art from around the world. Granta consistently publishes innovative and prize-winning writing in each quarterly issue, such as 'Rain' by Colin Barrett and 'The Room-Service Waiter' by Tom Crewe (both winners of the 2024 O. Henry Prize for Short Fiction), as well as 'Theories of Care' by Sophie Mackintosh, which won the 2024 Pushcart Prize.
Arguably America's greatest living poet, Sharon Olds enters her eightieth year with a book for our times: a book of fear, fragility and love of life. Renowned for her poetry of searing honesty, sexual frankness and brave originality, Sharon Olds' new book emerges 'at the eleventh hour of the end of the world', from the time of plague, this time of loss, where she can look at the world and her life and tell us plainly 'love is the love of who we are, it is a form of knowing.'
"Following her recent Odes, the Pulitzer Prize-winning poet gives us a new collection of poems that sing of a woman's intimate life and political conscience"--
Opening with a powerful and tender 'Ode to the Hymen', the author uses this age-old poetic form to address many aspects of herself, in a collection that is centred around the female body and female pleasures, and touches along the way on parts of her own story which will be familiar from earlier works, each episode and more.
První básnický výbor z díla významné americké básnířky, jejímž pracovním nástrojem je živý, metaforický jazyk i čtenářsky přístupná forma. Působivá poezie zaujme plastickou obrazností a otevřeností, s nimiž autorka tematizuje své problematické dětství, vztah k rodičům a k vlastním dětem, intimní tělesnost a sexualitu. Zřídlem, z nějž poezie pramení, je především autorčin osobní život. Podstatnou úlohu v její tvorbě hrají i motivy celospolečenské a obecně lidské, které se prolínají s „osobní poezií“, jak autorka sama tento princip své tvorby nazývá, a vystupují z ní v nových akcentech. Otevřenost a emotivnost jejích veršů na jedné straně vedla k vřelému čtenářskému přijetí, na druhé pak k odmítnutí pro údajnou neuměřenost a pornografičnost.
The collection presents a deeply emotional exploration of divorce, weaving together themes of love, loss, and the journey toward personal liberation. Through poignant verses, it captures the complexities of relationships, the weight of memories, and the bittersweet nature of newfound freedom. Each poem reflects the intertwining of sorrow and hope, offering a rich tapestry of experiences that resonate with anyone who has navigated the intricacies of love and separation.
Sharon Olds completes her cycle of family poems in a book at once intense and harmonic, playful with language, and rich with a new self-awareness and sense of irony.
This rich selection - made by the author - exhibits those qualities in poem after poem, reflecting, moreover, an exciting experimentation with rhythm and language and a movement toward an embrace beyond the personal.
The collection features a vibrant and dynamic use of language, blending humor with a poignant, elegiac tone. Sharon Olds explores deep emotional landscapes, presenting a fresh perspective that resonates with readers. Each poem captures a unique spirit, showcasing her mastery of counterpoint and the ability to evoke strong feelings through her striking imagery and themes.
Sharon Olds divides this new book into five sections - 'Blood', 'Tin', ' 'Straw', ' 'Fire' and 'Light' - each made up of fourteen poems whose dominant imagery is drawn from one of these elements. schovat popis