James Jones Livres
James Jones était un auteur américain réputé pour ses explorations approfondies de la Seconde Guerre mondiale et de ses conséquences durables. Ses expériences personnelles de guerre, depuis le témoignage de l'attaque de Pearl Harbor jusqu'au combat sur Guadalcanal et au rétablissement de ses blessures, ont constitué le fondement de ses romans les plus importants. L'œuvre de Jones plonge profondément dans le tribut psychologique et émotionnel de la guerre sur le soldat individuel, dépeignant sans fard les dures réalités de la vie militaire et son impact durable sur l'esprit humain. Sa voix distinctive se caractérise par une honnêteté brute et une représentation méticuleuse de l'expérience humaine sous une contrainte extrême.







"The third novel in Jones's classic World War II trilogy."--Page 4 of cover
The Merry Month of May
- 352pages
- 13 heures de lecture
"The only one of my contemporaries who I felt had more talent than myself was James Jones. And he has also been the one writer of any time for whom I felt any love."-Norman Mailer Paris. May, 1968. This is the Paris of the barricaded boulevards of rebelling students' strongholds, of the literati, the sexual anarchists, the leftists-written chillingly of a time in French history closely paralleling America in the late '60s. The reader sees, feels, smells and fears all the turmoil of the frightening social quicksand of 1968. James Jones (1921???1977) established himself as one of the greatest American writers of the 20th century with his WWII trilogy, "From Here to Eternity "(National Book Award winner), "The Thin Red Line "and "Whistle,"
"When compared to the fact that he might very well be dead by this time tomorrow, whether he was courageous or not today was pointless, empty. When compared to the fact that he might be dead tomorrow, everything was pointless. Life was pointless. Whether he looked at a tree or not was pointless. It just didn't make any difference. It was pointless to the tree, it was pointless to every man in his outfit, pointless to everybody in the whole world. Who cared? It was not pointless only to him; and when he was dead, when he ceased to exist, it would be pointless to him too. More important: Not only would it be pointless, it would have been pointless, all along." Such is the ultimate significance of war in The Thin Red Line (1962), James Jones's fictional account of the battle between American and Japanese troops on the island of Guadalcanal. The narrative shifts effortlessly among multiple viewpoints within C-for-Charlie Company, from commanding officer Capt. James Stein, his psychotic first sergeant Eddie Welsh, and the young privates they send into battle. The descriptions of combat conditions—and the mental states it induces—are unflinchingly realistic, including the dialog (in which a certain word Norman Mailer rendered as "fug" 15 years earlier in The Naked and the Dead appears properly spelled on numerous occasions). This is more than a classic of combat fiction; it is one of the most significant explorations of male identity in American literature, establishing Jones as a novelist of the caliber of Herman Melville and Stephen Crane.
Diamond Head, Hawaii, 1941. Pvt. Robert E. Lee Prewitt is a champion welterweight and a fine bugler. But when he refuses to join the company's boxing team, he gets "the treatment" that may break him or kill him. First Sgt. Milton Anthony Warden knows how to soldier better than almost anyone, yet he's risking his career to have an affair with the commanding officer's wife. Both Warden and Prewitt are bound by a common bond: the Army is their heart and blood . . .and, possibly, their death. In this magnificent but brutal classic of a soldier's life, James Jones portrays the courage, violence and passions of men and women who live by unspoken codes and with unutterable despair. . .in the most important American novel to come out of World War II, a masterpiece that captures as no ther the honor and savagery of men.
Focusing on the integration of aerodynamic principles in architecture, this book challenges architects and engineers to creatively incorporate wind and air movement into their designs. It emphasizes the importance of understanding how these elements can shape architectural forms, encouraging innovative approaches to building design that respond to environmental factors.


