Harold Bloom Livres

Since it was first published in 1965, David V. Erdman's edition has been widely hailed as easily the best available text of Blake's poetry and prose. Comparing it to other Blake texts, Michale J. Tolley in Southern Review observed that it has "very much fuller textual annotations; and incorporates a remarkable number of new readings, including an almost complete recovery of the suppressed or altered passages in Jerusalem and many new readings of hitherto dubious passages in the manuscript, including many in The Four Zoas." F.W. Bateson, writing in The New York Review, pointed out that "the crucial preliminary problem [in establishing Blake's text] is simply to make out what Blake wrote -- including, of course, what he wrote before he deleted the manuscript or erased the engraving (or the copper-plate script). Erdman has used the modern aids such as infra-red photography, micro-photography and a powerful magnifying glass to help his own sharp and experienced eyes, but his real achievement has simply been to look at the physical realities of Blake's text more closely and intelligently than any previous editor."

Celebrated American literary critic Harold Bloom turns his attention to the writers of his own national literary tradition, from Walt Whitman and Herman Melville to William Faulkner and Hart Crane. The distillation of a lifetime of criticism, it is one of Bloom's most profoundly personal books to date.

Harold Bloom has selected poems by Australian poet, John Kinsella, and provides an introduction to them.

An anthology of poems which attempts to give readers the possession of six centuries of great British and American poetry.

If readers are to come to Shakespeare and to Chekhov, to Henry James and to Jane Austen, then they are best prepared if they have read Lewis Carroll and Edward Lear, Robert Louis Stevenson and Rudyard Kipling, writes Harold Bloom in his introduction to this enchanting and much-needed anthology of exceptional stories and poems selected to inspire a lifelong love of reading. As television, video games, and the Internet threaten to distract young people from the solitary pleasures of reading, Bloom presents a volume that will amuse, challenge, and beguile readers with its myriad voices and subjects.Here are old favorites by beloved writers of children's literature, as well as exciting rediscoveries and wonderful works penned by writers better known for their adult classics, such as Herman Melville, Leo Tolstoy, Edith Wharton, and Walt Whitman. Encompassing the natural world and the supernatural; childhood, romance, and death; pets, wild animals, and goblins; mystery, adventure, and humor; the selections reflect the passion and erudition of our most revered literary critic. Arranged by season, Stories and Poems for Extremely Intelligent Children of All Ages is a must-have anthology, sure to delight readers young and old for years to come.

-- Brings together the best criticism on the most widely read poets, novelists, and playwrights -- Presents complex critical portraits of the most influential writers in the English-speaking world -- from the English medievalists to contemporary writers Johann Wolfgang von Goethe was a monumental figure in 19th-century Germany, and his Faust stands among the finest works of Western literature.

Wallace Stevens established himself as a preeminent person in American letters. He is said to have elucidated the path toward the supreme fiction. Learn more about Stevens with this edition of Bloom's Major Poets. This series covers history’s greatest poets with expert analysis by Harold Bloom and other critics, offering a wealth of information on the poets and their works that are most commonly read in high schools, colleges, and universities.

This volume devotes over 100 pages to William Blake, including The Book of Thel and the entire "Night the Ninth" from The Four Zoas, as well as excerpts from Milton and Jerusalem. It also includes poems and prose by Wordsworth, Coleridge, Keats, Shelley, and Byron.

A critical overview of the work features such contributors as Bernard W. Bell, Trudier Harris, Nancy Jesser, and Susan Corey.

- A complex critical portrait of one of the most influential writers in the world- Bibliographic information that directs readers to additional resources for further study- A useful chronology of the writer's life- An introductory essay by Harold Bloom.

Love and hate, loyalty and treachery, cruelty and self-sacrifice: all these contend in a tempestuous drama which has become an enduring classic of the world's literature.

"The indispensable critic on the indispensable writer." -Geoffrey O'Brien, New York Review of Books. A landmark achievement as expansive, erudite, and passionate as its renowned author, Shakespeare: The Invention of the Human is the culmination of a lifetime of reading, writing about, and teaching Shakespeare. Preeminent literary critic-and ultimate authority on the western literary tradition-Harold Bloom leads us through a comprehensive reading of every one of the dramatist's plays, brilliantly illuminating each work with unrivaled warmth, wit and insight. At the same time, Bloom presents one of the boldest theses of Shakespearean scholarships: that Shakespeare not only invented the English language, but also created human nature as we know it today.

Gathers critical essays representing literary discussions about Alice Walker and her work, including essays on some of her specific works, Walker's relationship to other authors, and her treatment of gender and race themes.

Jalousie ! Jalousie ! Pourquoi faut-il qu'Othello, superbe et généreux, tombe dans ce piège ? Lorsque le Maure arrive à Chypre, sa gloire est au plus haut. Seul capable de battre les Turcs, il est même servi par la tempête qui balaye la flotte ennemie. Comme si les Cieux aussi étaient à ses côtés. Ses noces avec Desdémone font de lui un homme heureux. Nuit de fête pour les amants. Nuit funeste qui voit Iago, le traître, multiplier les intrigues pour empoisonner leur joie. Que n'a-t-il l'excuse de l'amour ? Non, ce qui le mène, c'est la haine. Nuire. Détruire Othello en insinuant que Desdémone a pu le trahir. Folie ! Par quel mystère Othello se laisse-t-il abuser par ce misérable ? Passion et violence, sombres machinations... Le destin prend sa revanche.

The last book written by the most famous literary critic of his generation, on the sustaining power of poetry

Cry, the Beloved Country stands as a singularly important novel in twentieth-century South African literature. A work of searing beauty, Cry, the Beloved Country is the deeply moving story of the Zulu pastor Stephen Kumalo and his son Absalom, set against the background of South Africa and a people driven by racial injustice. Unforgettable for character and incident, it is a novel of love and hope, courage and endurance, born of the dignity of man.

Literary critic Harold Bloom's The Western Canon is more than a required reading list—it is a vision. Infused with a love of learning, compelling in its arguments for a unifying written culture, it argues brilliantly against the politicization of literature and presents a guide to the great works of the western literary tradition and essential writers of the ages. The Western Canon was nominated for the National Book Critics Circle Award.

J is the title that scholars ascribe to the nameless writer they believe is responsible for the text, written between 950 & 900, on which Genesis, Exodus & Numbers is based. In The Book of J, Bloom & Rosenberg draw the J text out of the surrounding material & present it as the seminal classic it is. In addition to Rosenberg's original translations, Bloom argues in several essays that "J" was not a religious writer but a fierce ironist & a woman living in the court of King Solomon. He also argues that J is a writer on par with Homer, Shakespeare & Tolstoy. Bloom also offers historical context, a discussion of the theory of how the different texts came together to create the Bible & translation notes. Rosenberg's translations from the Hebrew bring J's stories to life & reveal her towering originality & grasp of humanity.

Cranford is Elizabeth Gaskell's gently comic picture of life and manners in an English country village during the 1830s. It describes the small adventures in the lives of two middle-aged sisters in reduced circumstances, Matilda and Deborah Jenkyns, who do their best to maintain their standards of propriety, decency, and kindness. At the center of the novel is Miss Matty, whose warm heart and tender ways compel affection and regard from everyone around her. Also revealed are the foibles and attributes of the pompous Mrs. Jamieson and her awesome butler, the genial Captain Brown, the loyal housemaid Martha, and others. Using an intimate, gossipy voice that never turns sentimental, Gaskell skillfully conveys the old-fashioned habits, subtle class distinctions, and genteel poverty of the townspeople. Cranford is one of the author's best-loved works.

The book remains a central work of criticism for all students of literature.

America's most original and controversial literary critic writes trenchantly about forty-eight masterworks spanning the Western tradition—from Don Quixote to Wuthering Heights to Invisible Man—in his first book devoted exclusively to narrative fiction. In this valedictory volume, Yale professor Harold Bloom—who for more than half a century was regarded as America's most daringly original and controversial literary critic—gives us his only book devoted entirely to the art of the novel. With his hallmark percipience, remarkable scholarship, and extraordinary devotion to sublimity, Bloom offers meditations on forty-eight essential works spanning the Western canon, from Don Quixote to Book of Numbers; from Wuthering Heights to Absalom, Absalom!; from Les Misérables to Blood Meridian; from Vanity Fair to Invisible Man. Here are trenchant appreciations of fiction by, among many others, Austen, Balzac, Dickens, Tolstoy, James, Conrad, Lawrence, Le Guin, and Sebald. Whether you have already read these books, plan to, or simply care about the importance and power of fiction, Harold Bloom is your unparalleled guide to understanding literature with new intimacy.

Two Households, both alike in dignity, In fair Verona , where we lay our scene, From ancient grudge break to new mutiny, Where civil blood makes civil hands unclean. From forth the fatal loins of these two foes A pair of star-crossed lovers take their life ; Whose misadventured piteous overthrows Doth with their death bury their parents'strife. [...] Deux anciennes Maisons d'égale dignité Dans la belle Vérone où se tient notre scène Font un nouvel éclat de leur antique hargne, Le sang civil salit les mains des citoyens. Or dans le sein fatal de ces deux ennemis Deux amants prennent vie sous la mauvaise étoile ; Leur malheureux écroulement très pitoyable Enterre en leur tombeau la haine des parents. Les terribles moments de leur amour mortel Et l'obstination des rages familiales Que rien sinon la mort des deux enfants n'apaisera, Pendant deux heures nous le jouerons sur ce théâtre ; Et si vous nous prêtez une patiente oreille, Tout défaut, notre zèle le rachètera.

The author of The Book of J analyzes the American religious imagination to produce this brilliant examination of a national soul. His consensus: America is a nation of Gnostics, believers in a pre-Christian tradition of individual divinity.

Presents a collection of critical essays on the novel that analyze its structure, characters, narrator, and themes.

This book presents a collection of essays exploring various aspects of the novel "The Metamorphosis" by Franz Kafka.

Since it was first published in 1965, David V. Erdman's edition has been widely hailed as easily the best available text of Blake's poetry and prose. This newly revised edition includes the complete letters of Blake; the latest work on variants, deleted lines, arrangements of poems and dating; and eighty-two pages of critical commentary by Harold Bloom. This edition has been awarded the distinction of "An Approved Edition" by the Committee on Scholarly Editions of the Modern Language Association.

In this impassioned, erudite, and provocative work, Harold Bloom, bestselling author and America's foremost literary and cultural critic, examines society's "New Age" obsessions: angels, prophetic dreams, and near-death experiences. Omens of Millennium traces these cultural phenomena from their ancient and traditional origins to their present-day, millennial manifestations. In addition, it is a personal account of Bloom's Gnosticism. Certain to educate, challenge, and entertain, Omens of Millennium is as fascinating as it is timely.

This volume in the 'Bloom's Classic Critical Views' series presents historical essays from the 19th and early 20th century about this American novelist.

Critical essays analyze King Lear, Romeo and Juliet, Othello, Macbeth, and Coriolanus, and discuss Shakespeare's use of irony and imagery

A collection of essays about the works of the American author.

An anthology of contemporary poets presents works that reflect the diversity in American poetry over the past ten years.

In this, her first book, Martha Serpas succeeds brilliantly in fulfilling the calculations of the alchemists, those great hermetic artists of medieval Europe. Côte Blanche deliberately and beautifully weds the secular to the divine in poems which, steeped in the Cajun landscape of Serpas’s Louisiana, prickle with exhilarating sensuality. Through its votive offerings to a God who is all too aware of the longings and aspirations of humankind,Côte Blanche becomes a testament to a new, personal belief that is simple yet breathtaking in its reach.

- Concise critical excerpts that provide a scholarly overview of each work - "The Story Behind the Story," detailing the conditions under which the work was written - A biographical sketch of the author, a descriptive list of characters, an extensive summary and analysis, and an annotated bibliography.

Harold Bloom, author of "The Western Canon" and one of the world's most renowned literary critics, surveys Walt Whitman's vast poetic work, from early notebook fragments of "Song of Myself" to the late poems of "Good-bye My Fancy."

Frye addresses what he sees as the four main approaches to criticism: the historical, the ethical, the archetypal and the theoretical. His text is considered a classic of modern literary criticism.

Diese Einführung in die 'Kunst des Lesens' ist nicht an theoretischen Einsichten orientiert, sondern an den konkreten Leseerfahrungen des Autors, eines US-amerikanischen Literaturwissenschaftlers. Das Buch lädt ein zu Streifzügen durch die abendländische und die US-amerikanische Literaturgeschichte, mit Schwerpunkt auf dem 19. und 20. Jahrhundert. Dabei werden immer nur ein, zwei Texte eines Autors aufgegriffen, knapp, lebendig und geistreich interpretiert und zugleich als sujektives Leseerlebnis nachvollziehbar gemacht. Der Autor will in ähnlicher Weise zum Lesen verführen, wie dies zuletzt Rolf Vollmann 1997 so glänzend gelang ('Die wunderbaren Falschmünzer': BA 6/97), Empfehlung als gute Ergänzung zu Vollmanns Werk in größeren Bibliotheken. (2).

A book of poems by the world's celebrated poet.

Dal Libro di Giobbe all'Ecclesiaste, dalle opere di Platone a quelle di Cervantes, Shakespeare, Montaigne, Nietsche e Proust. Un libro per rispondere a una domanda cruciale: a che cosa serve la letteratura? (LaFeltrinelli.it)

Die zentrale These in diesem Werk von Harold Bloom besagt, dass Dichtung aus der Angst vor dem Einfluss großer Vorbilder entsteht. Diese Angst hemmt zwar die Produktivität, fungiert jedoch gleichzeitig als starke Antriebskraft für das literarische Schaffen. Junge Dichter versuchen, sich aus dem Schatten ihrer Klassiker zu befreien, indem sie deren Werke einer aggressiven "Fehllektüre" unterziehen, um eigene Texte zu entwickeln. Alle Lektüren sind letztlich "Fehllektüren", und die Bedeutung eines Textes entsteht in einem dynamischen Austausch zwischen verschiedenen Werken, was die Literaturgeschichte als ein Schlachtfeld darstellt.

Harold Bloom's urgency in <i>How to Read and Why</i> may have much to do with his age. He brackets his combative, inspiring manual with the news that he is nearing 70 and hasn't time for the mediocre. (One doubts that he ever did.) Nor will he countenance such fashionable notions as the death of the author or abide "the vagaries of our current counter-Puritanism" let alone "ideological cheerleading." Successively exploring the short story, poetry, the novel, and drama, Bloom illuminates both the how and why of his title and points us in all the right directions: toward the Romantics because they "startle us out of our sleep-of-death into a more capacious sense of life"; toward Austen, James, Proust; toward Thomas Mann, Toni Morrison, and Cormac McCarthy; toward Cervantes and Shakespeare (but of course!), Ibsen and Oscar Wilde. <p> How should we read? Slowly, with love, openness, and with our inner ear cocked. Then we should reread, reread, reread, and do so aloud as often as possible. "As a boy of eight," he tells us, "I would walk about chanting Housman's and William Blake's lyrics to myself, and I still do, less frequently yet with undiminished fervor." And why should we engage in this apparently solitary activity? To increase our wit and imagination, our sense of intimacy--in short, our entire consciousness--and also to heal our pain. "Until you become yourself," Bloom avers, "what benefit can you be to others." So much for reading as an escape from the self!</p><p> Still, many of this volume's pleasures may indeed be selfish. The author is at his best when he is thinking aloud and anew, and his material offers him--and therefore us--endless opportunities for discovery. Bloom cherishes poetry because it is "a prophetic mode" and fiction for its wisdom. Intriguingly, he fears more for the fate of the latter: "Novels require more readers than poems do, a statement so odd that it puzzles me, even as I agree with it." We must, he adjures, crusade against its possible extinction and read novels "in the coming years of the third millennium, as they were read in the eighteenth and nineteenth century: for aesthetic pleasure and for spiritual insight." </p><p> Bloom is never heavy, since his vision quest contains a healthy love of irony--Jedediah Purdy, take note: "Strip irony away from reading, and it loses at once all discipline and all surprise." And this supreme critic makes us want to equal his reading prowess because he writes as well as he reads; his epigrams are equal to his opinions. He is also a master allusionist and quoter. His section on <i>Hedda Gabler</i> is preceded by three extraordinary statements, two from Ibsen, who insists, "There must be a troll in what I write." Who would not want to proceed? Of course, Bloom can also accomplish his goal by sheer obstinacy. As far as he is concerned, <i>Don Quixote</i> may have been the first novel but it remains to this day the best one. Is he perhaps tweaking us into reading this gigantic masterwork by such bald overstatement? Bloom knows full well that a prophet should stop at nothing to get his belief and love across, and throughout <i>How to Read and Why</i> he is as unstinting as the visionary company he adores. <i>--Kerry Fried</i></p>

Harold Bloom, ein bedeutender amerikanischer Literaturkritiker und Bestsellerautor, präsentiert seine Auswahl der 100 größten Schriftsteller aus 2500 Jahren Weltliteratur. Dieses Werk ist ein Muss für jeden Literaturfreund. Der Genius, der das Göttliche im Menschen widerspiegelt, inspiriert Dichter und Denker über Epochen hinweg und ist die Flamme kreativen Schaffens. Diese schöpferische Kraft verbindet alle Weltliteraten und ist die Ursache für kreative 'Wahlverwandtschaften' sowie für ein unsichtbares, unbewusstes Beziehungsgeflecht zwischen den Größten. Bloom nutzt dieses Phänomen als Ordnungsprinzip und versucht, dieses geheime Netzwerk sichtbar zu machen. In zehn Kapiteln stellt er jeweils zehn Literaten vor, Männer und Frauen, die mit ihren Werken große Visionen geschaffen und tiefgreifende Erkenntnisse über die menschliche Natur ermöglicht haben. Die Spitze seines literarischen Weltenbaums bilden Shakespeare, Cervantes, Montaigne, Milton und Tolstoi, die alle ihr Genre bis heute dominieren. Zu den 100 Großen zählen auch Plato, Ibsen, Beckett, Virginia Woolf, Thomas Mann, Rilke und Celan. Bloom schöpft souverän aus seinem umfassenden Wissen und lädt mit sprachlicher Brillanz zu einer Begegnung mit genialen Schriftstellern der Weltkulturen ein, die er in einem neuen, unterhaltsamen Licht präsentiert.

In questo saggio Bloom intende dimostrare che la tradizione giudaico-cristiana in realtà non esiste, che ebraismo e cristianesimo sono di fatto incompatibili. Esaminando con il metodo della critica letteraria e storica la Torà ebraica, l'Antico e il Nuovo Testamento e i Vangeli gnostici contemporanei a quelli canonici, Bloom arriva alla conclusione che il Gesù "ebraico" di Marco, così umano, irascibile e incline all'ironia, potrebbe essere davvero figlio di quella divinità fin troppo umana che è lo Jahvè della Torà; mentre il Cristo degli altri libri del Nuovo Testamento proviene da una famiglia del tutto diversa; e lo Jahvè degli ebrei e il Dio Padre dei cristiani hanno ben poco in comune.