'In my brief breath of life, might I find a way to fit light to paper?'In a land of ethereal beauty, within a culture soaked in myth, a young woman discovers the story that will change her life.In 2003, seventeen-year-old Australian exchange student Hannah Kent arrives at Keflavík Airport in the middle of the Icelandic winter.That night she sleeps off her jet lag and bewilderment in the National Archives of Iceland, unaware that, years later, she will return to the same building to write Burial Rites, the haunting story of Agnes Magnúsdóttir, the last woman executed in Iceland. The novel will go on to launch the author's stellar literary career and capture the hearts of readers across the globe.Always Home, Always Homesick is Hannah Kent's exquisite love letter to a land that has forged a nation of storytellers, her ode to the transcendent power of creativity, and her invitation to us all to join her in the realms of mystery, spirit and wonder.
Hannah Kent Ordre des livres (chronologique)
L'œuvre d'Hannah Kent plonge dans les coins sombres de la psyché humaine et de l'histoire, offrant des récits caractérisés par une honnêteté brute et une prose captivante. Elle crée magistralement des contes atmosphériques qui plongent le lecteur dans de profondes explorations de la culpabilité, du châtiment et de la quête de rédemption, souvent dans des décors austères et isolés. Sa voix distinctive et son approche narrative créent des personnages et des situations qui résonnent profondément longtemps après la dernière page tournée. L'importance littéraire de Kent réside dans sa capacité à déterrer des vérités complexes à travers des récits méticuleusement recherchés et chargés d'émotion.







Devotion
- 418pages
- 15 heures de lecture
The powerful, moving and truly unique new novel from the bestselling author of &i;>Burial Rites&/i> and &i;>The Good People.&/i>
An Amazon Editors’ Best Book of December 2018 “Art will wake you up. Art will break your heart. There will be glorious days. If you want eternity you must be fearless.” —from The Museum of Modern Love Arky Levin has reached a dead end. Unexpectedly separated from his wife, he suddenly has the space he needs to work composing film scores—but none of the peace of mind he needs to create. As he wanders the city, guilty and restless, it’s almost by chance that he stumbles upon an exhibition that will change his life. The installation the fictional Arky discovers—which is based on a real piece of performance art that took place in 2010—is inexplicably powerful. Visitors to the Museum of Modern Art sit across a table from the performance artist Marina Abramović, for as short or long a period as they choose. Although some go in skeptical, almost all leave moved. And the participants are not the only ones to find themselves changed by this unusual experience: Arky finds himself drawn to the exhibit. He returns day after day to watch other people sit with Abramović—and as he does, he begins to understand what might be missing in his life and what he must do.
Short-listed for the Walter Scott Prize for Historical Fiction One of Entertainment Weekly's "Must-Read" books for Fall From the author of Burial Rites, "a literary novel with the pace and tension of a thriller that takes us on a frightening journey towards an unspeakable tragedy."-Paula Hawkins, bestselling author of The Girl on the Train Based on true events in nineteenth century Ireland, Hannah Kent's startling new novel tells the story of three women, drawn together to rescue child from a superstitious community. Nora, bereft after the death of her husband, finds herself alone and caring for her grandson Micheál, who can neither speak nor walk. A handmaid, Mary, arrives to help Nóra just as rumours begin to spread that Micheál is a changeling child who is bringing bad luck to the valley. Determined to banish evil, Nora and Mary enlist the help of Nance, an elderly wanderer who understands the magic of the old ways. Set in a lost world bound by its own laws, THE GOOD PEOPLE is Hannah Kent's startling new novel about absolute belief and devoted loveTerrifying, thrilling and moving in equal measure, this follow-up to Burial Rites shows an author at the height of her powers.
Rekviem egy gyilkos asszonyért
- 400pages
- 14 heures de lecture
Az elsőkönyves szerzők műveit díjazó Guardian First Book Award döntőse „Az egyik legmegkapóbb és legizgalmasabb könyv, amit idén olvastam.” (Kate Mosse, a Labirintus szerzője) Izland rideg északi partvidékén járunk, 1829-ben. Egy nőt halálra ítélnek a szeretője megöléséért, és a kivégzésig egy család gondjaira bízzák. Lelkészt is rendelnek mellé, hogy feloldozza bűnei alól. Az elítélt lassan megnyílik a tisztelendőnek, elmeséli neki az életét és a gyilkosság előzményeit. Egyre nyilvánvalóbbá válik, hogy semmi sem az, aminek látszik, de az idő vészesen fogy – közeleg a tél, és vele a kivégzés napja. Csak ő tudja, mi történt valójában. Ez Agnes története. A halálra várók szenvedésének kegyetlenségénél csak a tétlenek és tehetetlenek lelkiismeret-furdalása rosszabb.
À la grâce des hommes
- 473pages
- 17 heures de lecture
Attention, vous aurez froid, vous sentirez l'humidité jusque dans vos draps, la brutalité des faits va vous terrifier. Vous n'oublierez jamais la voix de cette femme qui vous murmure sa vérité... Oui, ce premier roman, inspiré d'une histoire vraie, a une puissance d'évocation rare. 1829 en Islande, dans l'attente de son exécution, Agnes, jeune servante, vit en résidence surveillée dans une ferme. Au fil des jours, elle se confie au jeune révérend Totti. Vous saurez tout. La jugerez-vous coupable ?