L'écriture de Jennifer Clement est profondément ancrée dans son engagement en faveur des droits de l'homme, se concentrant particulièrement sur les expériences des femmes et des enfants naviguant dans des mondes assombris par la violence et l'oppression. Sa prose offre une profonde empathie et des aperçus percutants de la psychologie des personnages qui luttent pour survivre au milieu d'une adversité extrême. Clement s'appuie fortement sur des recherches approfondies et un engagement personnel, insufflant à ses récits un puissant sentiment d'authenticité et d'urgence. Son style distinctif allie une intensité brute à une sensibilité poétique, explorant les thèmes de la perte, de la résilience et de la recherche persistante d'espoir face à des obstacles insurmontables.
"With a simplicity that belies both Basquiat's work and life, Jennifer Clement delivers a tender and poetic exploration of the artist and more specifically, the relationship with his muse, Suzanne. Their union follows a path set by other singular couples in the history of art, such as Frida Kahlo and Diego Rivera, and Lee Krasner and Jackson Pollock. The result is a distressing, yet deeply moving account of a love that strove to flourish under intense outside pressures."--BOOK JACKET.
MADONNA. ANDY WARHOL. KEITH HARING. FAB 5 FREDDIE. DEBBIE HARRY. JULIAN SCHNABEL. Jean-Michel Basquiat's transition from the subways to the chic gallery spaces of Manhattan brought the artist into the company of many of New York's established and aspiring stars. Unable to deal with the demands that his new fame brought, in 1987, at the age of twenty-seven Basquiat, the most successful black visual artist in history, died from a heroin overdose.Widow Basquiat is an exploration of the artist as seen through the eyes of his muse, Suzanne. It is a love story like no other.
'Now we make you ugly,' my mother said. 'The best thing you can be in Mexico is an ugly girl.' The Narcos only had to hear there was a pretty girl around and they’d sweep onto our lands in black SUVs and carry the girl off. Not one of the stolen girls had ever come back, except for Paula. She came back a year after she’d been kidnapped. She held a baby bottle in one hand. She wore seven earrings that climbed the cupped edge of her left ear in a line of blue, yellow and green studs and a tattoo that snaked around her wrist. 'Did you see that? Did you see Paula’s tattoo? my mother said. You know what that means, right? Jesus, Mary’s son and Son of God, and the angels in heaven protect us all.' At the time, I didn’t know what that meant. But I was going to find out. Guaranteed.
The searing, unforgettable story of a young girl's resilience, by the award-winning author of Prayers for the Stolen Pearl's mother took her away from her family just weeks after she was born, and drove off to central Florida determined to begin a new life for herself and her daughter--in the parking lot next to a trailer park. Pearl grew up in the front seat of their '94 Mercury, while her mother lived in the back. Despite their hardships, mother and daughter both adjusted to life, making friends with the residents of the trailers and creating a deep connection to each other. All around them, Florida is populated with gun owners--those hunting alligators for sport, those who want to protect their families, and those who create a sense of danger. Written in a gorgeous lyric all its own, Gun Love is the story of a tough but optimistic young woman growing up in contemporary America, in the midst of its harrowing love affair with firearms.
Eine Frau streift durch Manhattan. Mit jedem Schritt weiter weg von einem Zuhause, in dem die Liebe blass, der Ehemann sprachlos geworden ist, trotz der langen schönen Zeit. Auf ihren Streifzügen entlang der Brownstones und den emporragenden Feuertreppen begegnen ihr Männer, wie aus der Phantasie entstiegen: der Dichter, der Astronaut, der Räuber, der Löwenbändiger … In diesen Momenten findet sie etwas, das sie für immer verloren glaubte. Lebendigkeit, Sinnlichkeit, Mut, die Spuren unmissverständlicher Gegenwart. Was muss sie tun, damit diese Gefühle nie wieder fliehen? Damit sie nicht verloren geht, wie die Menschen um sie herum, wie der Charakter dieser Stadt, die vom ganzen Geld der Welt für sie so still geworden ist, wie der Ehemann, der jeden Abend fragt: „Wo bist du gewesen?“
Jennifer Clement hat eine Sehnsuchtshymne geschrieben. Mit Auf der Zunge beschwört sie das Aufbäumen einer Frau gegen den Verlust der Träume und der Leidenschaft. In sanft-lyrischen, in brutal-ehrlichen Bildern erschafft sie ein Denkmal für einen geliebten Ort, eine geliebte Zeit im Leben.
