Henry Jenkins Ordre des livres

The Worcester almanac, directory, and business advertiser, for 1861 is an unchanged, high-quality reprint of the original edition of 1861. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

"There is a widespread perception that the foundations of American democracy are dysfunctional and little is likely to emerge from traditional politics that will shift those conditions. Youth are often seen as emblematic of this crisis--frequently represented as uninterested in political life and ill informed about current affairs. By Any Media Necessary offers a profoundly different picture of contemporary American youth. Young men and women are tapping into the potential of new forms of communication, such as social media platforms and spreadable videos and memes, seeking to bring about political change--by any media necessary. In a series of case studies covering a diverse range of organizations, networks, and movements--from the Harry Potter Alliance, which fights for human rights in the name of the popular fantasy franchise, to immigration-rights advocates using superheroes to dramatize their struggles--By Any Media Necessary examines the civic imagination at work. Exploring new forms of political activities and identities emerging from the practice of participatory culture, By Any Media Necessary reveals how these shifts in communication have unleashed a new political dynamism in American youth."--Jacket.

"Spreadable Media" maps fundamental changes taking place in the contemporary media environment, a space where corporations no longer tightly control media distribution. This book challenges some of the prevailing frameworks used to describe contemporary media.

The book is a culturally significant reproduction of an original artifact, maintaining fidelity to the initial work. It includes original copyright references and library stamps, highlighting its historical importance and connection to major libraries worldwide. This preservation effort emphasizes the book's role in the knowledge base of civilization, offering readers a glimpse into its authentic past.

Culturally significant, this reproduction preserves the integrity of the original artifact, including copyright references and library stamps. It offers readers a glimpse into important historical knowledge, reflecting the work's value in the context of civilization. The attention to detail ensures that the essence of the original text is maintained, making it a vital resource for scholars and enthusiasts alike.

In the last two decades, both the conception and the practice of participatory culture have been transformed by the new affordances enabled by digital, networked, and mobile technologies. This exciting new book explores that transformation by bringing together three leading figures in conversation.

Exploring the intersections of fandom and media theory, this twentieth anniversary edition features an interview with Jenkins and a supplemental study guide by Louisa Stein. It encourages students to analyze fan cultures through various lenses, including consumer capitalism, genre, gender, and sexuality. This reissue of a classic text aims to engage a new generation in understanding the complexities of participatory culture and popular consumption.

The book is a facsimile reprint, which means it reproduces the original text and layout, potentially including imperfections like marks, notations, and marginalia. Readers should be aware that these flaws may be present on the pages, offering a glimpse into the history and usage of the original work.

Shifting the conversation about the digital divide from questions of technological access to questions about opportunities for being involved in participatory culture and acquiring the necessary skills.

YouTube is one of the most well-known and widely discussed sites ofparticipatory media in the contemporary online environment, and itis the first genuinely mass-popular platform for user-createdvideo. In this timely and comprehensive introduction to how YouTubeis being used and why it matters, Burgess and Green discuss theways that it relates to wider transformations in culture, societyand the economy.The book critically examines the public debates surrounding thesite, demonstrating how it is central to struggles for authorityand control in the new media environment. Drawing on a range oftheoretical sources and empirical research, the authors discuss howYouTube is being used by the media industries, by audiences andamateur producers, and by particular communities of interest, andthe ways in which these uses challenge existing ideas aboutcultural ‘production’ and ‘consumption’.Rich with both concrete examples and featuring speciallycommissioned chapters by Henry Jenkins and John Hartley, the bookis essential reading for anyone interested in the contemporary andfuture implications of online media. It will be particularlyvaluable for students and scholars in media, communication andcultural studies.