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James Fenton

    James Fenton est un poète dont l'œuvre se caractérise par une observation aiguë et une perspicacité politique. Ses premières expériences dans le journalisme et en tant que correspondant de guerre ont façonné sa capacité à saisir l'essence des événements et des destins humains. Le style de Fenton est précis mais évocateur, mêlant souvent réflexions personnelles à des commentaires sociaux plus larges. Sa poésie explore les complexités du monde moderne avec un mélange unique d'intelligence et d'empathie.

    A History Of Tasmania
    A History of Tasmania
    The Songs of Tomás Ruadh O's Ullivan, the Iveragh Poet, 1785-1848. Collected and Edited by James Fenton
    On Slaimish: An Ulster-Scots Collection
    William Blake
    The Love Bomb
    • The Love Bomb

      • 206pages
      • 8 heures de lecture
      4,5(7)Évaluer

      Exploring a diverse range of settings, this collection features three libretti that transport readers from ancient Jerusalem to a pre-apocalyptic London. The acclaimed poet weaves intricate narratives that delve into themes of time, place, and the human experience, showcasing a unique blend of historical and imaginative elements. Each piece invites reflection on the connections between past and present, offering a thought-provoking journey through lyrical storytelling.

      The Love Bomb
    • William Blake

      • 128pages
      • 5 heures de lecture
      4,3(14)Évaluer

      In this series, a contemporary poet selects and introduces a poet of the past.

      William Blake
    • On Slaimish: An Ulster-Scots Collection

      • 66pages
      • 3 heures de lecture

      James Fenton, born in 1931, grew up in north Antrim, in the adjoining townlands of Drumadarragh and Ballinaloob. Educated at Stranmillis College and Queen's University, Belfast, he spent his working life as a teacher and principal in Belfast, and now lives in Glengormley. He is the author of The Hamely Tongue: A personal record of Ulster-Scots in County Antrim (1995; new editions, 2000, 2007, 2014). The Hamely Tongue gave us a comprehensive record of contemporary Ulster-Scots; now, in the poems and prose of On Slaimish, the writer's native language comes vividly alive. From this vantage point he stands, and takes his stand, 'On the hoovin hairt o Antrim'.

      On Slaimish: An Ulster-Scots Collection
    • A History of Tasmania

      • 494pages
      • 18 heures de lecture

      Offering a unique perspective, this historical account explores Tasmania's development through the eyes of a 19th-century pioneer. It delves into the challenges and experiences faced by early settlers, providing insights into the cultural and social dynamics of the time. The narrative captures the essence of pioneering life and the transformation of the landscape, making it a valuable resource for those interested in Tasmania's history and the experiences that shaped it.

      A History of Tasmania
    • A History Of Tasmania

      From Its Discovery In 1642 To The Present Time

      • 476pages
      • 17 heures de lecture

      This facsimile reprint preserves the cultural significance of a rare antiquarian book, reflecting its historical value. While it may exhibit imperfections such as marks, notations, and flawed pages due to its age, the edition aims to provide an affordable, high-quality version that remains true to the original work. The commitment to protecting and promoting literature is central to its availability.

      A History Of Tasmania
    • The Forgotten Army consists of the letters, photos and sketches of a soldier fighting the Japanese in Burma that were sent home to the author's parents in Lancashire. Sketches, illustrations, photographs and paintings have been placed with 440 original letters spanning military service in the army at home, India, Burma and Malaya.

      Forgotten Army
    • Yellow Tulips

      • 176pages
      • 7 heures de lecture

      Winner of both the Queen's Gold Medal and the Whitbread Prize for Poetry, the author has given readers some of the most memorable lyric verse over the years, from the formal skill that marked his debut, Terminal Moraine, to political monologues of The Memory of War and Children in Exile, through to the love poems of Out of Danger.

      Yellow Tulips
    • New volume in the Frick Diptych series focuses on an a remarkable Renaissance bronze oil lamp, pairing an essay by Frick director Ian Wardropper with a new poem by James Fenton.

      Riccio's Oil Lamp
    • An overview of landscape change in the Scottish Highlands over the millennia and its continuing change. It analyses and challenges the common view that the Highlands were deforested by people.

      Landscape Change in the Scottish Highlands