Brad Zellar Ordre des livres (chronologique)

"An exquisitely haunting, melancholic treasure of a book about people who drop out and populate tiny towns and rural communities, and the longing and loneliness of the human condition." —Judy Natal, Photo-Eye"One of the great American moves is vagrancy, the freedom to drift, the right to look at things from outside the mainstream. The prose in House of Coates hums with this irreducible freedom. The photographs are both perfectly artless and undeniably visionary. Any question of fiction, non-fiction, subterfuge, or narrative trickery is superfluous in a book like this one, so appealingly strange, so delicately balanced, and so incontestably bound to its time and place." —Teju Cole, author of Open City"A very handsome paperback edition...a new afterword wraps the whole mystery of Lester beautifully." — MinnPost"As Brad Zellar so vividly illustrates in his new limited-edition collaboration with photographer Alec Soth, 'House Of Coates,' broken men have always been with us, haunting us, providing a mirror. Society may label them bums, homeless, or pariahs, but Zellar's empathetic writing allows the reader to get inside one broken man, and therefore all." —Jim Walsh, MinnPostWashed up in the shadow of a refinery, Lester B. Morrison, legendary recluse, documents his life in a series of photographs taken with a disposable camera. In a landscape of off ramps, warehouses, and SRO hotels occupied by terminally lonely men, love and faith break in, quietly offering human connection and the possibility of redemption.Brad Zellar has worked as a writer and editor for daily and weekly newspapers, as well as for both regional and national magazines. He is the author of Suburban World: The Norling Photos , The 1968 Project , Conductors of the Moving World , and House of Coates .Alec Soth is a photographer whose first monograph, Sleeping by the Mississippi , was published by Steidl in 2004. Since then Soth has published over a dozen books including Niagara (2006), Dog Days, Bogotá (2007), The Last Days of W (2008), and Broken Manual (2010). Soth's work has been exhibited at Jeu de Paume in Paris and Fotomuseum Winterthur in Switzerland.

Men wearing suits jousting with sailfish. Head-on bridge collision. Men with linoleum. Kitchen murder-suicide. Firemen playing donkey baseball. Ideal woman in apron. Through more than 10,000 images, Irwin Denison Norling, the unofficial town photographer for Bloomington, Minnesota, captured the strange juxtapositions, incongruities, and dark corners of the developing suburban America of the 1950s and '60s. A competitive amateur glued to his police radio, Norling spent years examining the light and darkness, tragedies and desolation, rituals of community and celebration through the lens of his camera, deftly capturing the uneasy dichotomy between the familiar and subversive—the familiarly subversive. "That was the way it was. And the way it was, that's what I was after."In 2002 veteran journalist Brad Zellar unearthed Norling's negatives from the archive of the Bloomington Historical Society. Compelled by the work of this man who had all but drifted into obscurity, Zellar collects the best of these images in Suburban World, a fascinating window into the uneasy contradictions in Norling's unforgettable and unselfconscious, funny and gritty, not-too-distant past.