Bill Buford Ordre des livres (chronologique)

Auf den ersten Blick erinnern Walton Fords großformatige, detailreiche Aquarelle von Tieren an die Drucke der Illustratoren des 19. Jahrhunderts, John James Audubon und Edward Lear. Ein genauerer Blick offenbart ein komplexes und verstörend anthropomorphes Universum, voller Symbole, hinterhältiger Witze und Anspielungen auf die „operatische“ Qualität traditioneller Naturgeschichte. In diesem beeindruckenden, aber unheimlichen visuellen Universum sind Tiere und Vögel nicht bloße ästhetische Objekte, sondern dynamische Akteure in Allegorien: ein Wildtruthahn zerdrückt einen kleinen Papagei mit seiner Klaue; eine Gruppe von Affen richtet Chaos auf einem festlichen Tisch an; ein amerikanischer Büffel wird von blutigen weißen Wölfen umzingelt. In strahlendem Aquarell beeindrucken die Bilder sowohl durch ihren makellosen Realismus als auch durch ihre komplexen Erzählungen.

“You can almost taste the food in Bill Buford’s Dirt, an engrossing, beautifully written memoir about his life as a cook in France.” —The Wall Street Journal What does it take to master French cooking? This is the question that drives Bill Buford to abandon his perfectly happy life in New York City and pack up and (with a wife and three-year-old twin sons in tow) move to Lyon, the so-called gastronomic capital of France. But what was meant to be six months in a new and very foreign city turns into a wild five-year digression from normal life, as Buford apprentices at Lyon’s best boulangerie, studies at a legendary culinary school, and cooks at a storied Michelin-starred restaurant, where he discovers the exacting (and incomprehensibly punishing) rigueur of the professional kitchen. With his signature humor, sense of adventure, and masterful ability to bring an exotic and unknown world to life, Buford has written the definitive insider story of a city and its great culinary culture.

Featuring the fictional début of Bill Morris, set in the design department of General Motors, between New Year’s Day and New Year’s Eve 1954: the year (Elvis Presley, Marilyn Monroe, Dwight Eisenhower, and Edgar Hoover) when America changed. Plus: Ivan Klìma, Tracy Kidder, Eugene Richards, Louise Erdrich, Adam Mars-Jones, and Sue Halpern.

Why do biographies remain so popular? Granta 41 presents a special collection of biographies organized around a single idea - how do you tell the story of a life'. Also in this issue is the exclusive first publication of Saul Bellow's Memoirs of a Bootlegger's Son, James Atlas on Bellow's apprenticeship in Chicago, Andrew Motion on the discovery of Philip Larkin's secret Northumberland hideaway, Gabriel Garcia Marquez on the mysterious Frau Frida whom he first met in Vienna after the war, plus Richard Holmes, Ian Hamilton, Louise Eldrich, Lorna Sage, and Luc Sante amid the police archives of 1914 New York.

Bill Buford, an enthusiastic, if rather chaotic, home cook, was asked by the New Yorker to write a profile of Mario Batali, a Falstaffian figure of voracious appetites who runs one of New York's most successful three-star restaurants. Buford accepted the commission, on the condition Batali allow him to work in his kitchen, as his slave.

L'auteur, grand reporter, est allé en Afrique, puis en Grèce et en Turquie, et enfin en Amérique latine. C'est là que se déroule, dans les années 70, "La guerre du foot". En 1969, le Honduras et le Salvador jouent deux fois l'un contre l'autre afin de se qualifier pour la Coupe du monde. Très vite le jeu du stade devient une guerre ouverte.

A collection of new writing.

Granta 43 celebrates a new generation of twenty of the best new British writers. Selected by Salman Rushdie, A. S. Byatt, John Mitchinson and Bill Buford.

They have names like Barmy Bernie, Daft Donald, and Steamin' Sammy. They like lager (in huge quantities), the Queen, football clubs (especially Manchester United), and themselves. Their dislike encompasses the rest of the known universe, and England's soccer thugs express it in ways that range from mere vandalism to riots that terrorize entire cities. Now Bill Buford, editor of the prestigious journal Granta, enters this alternate society and records both its savageries and its sinister allure with the social imagination of a George Orwell and the raw personal engagement of a Hunter Thompson.

This edition of Granta includes stories by Victoria Tokareva, Hans Magnus Enzenberger, Christa Wolf, Ryszard Kapuscinski, Isabel Allende, Martin Amis and Romsesh Gunesekera.

An issue of Granta devoted to all things Soviet, including fiction, non-fiction, photographs, interviews and an exclusive interview with Mikhail Gorbachev by Gabriel Garcia Marquez.

Essays and stories deal with violence in China, travel, South African architecture, the past pilgrimages, death, and fame