Dès leur première rencontre, dans les années 1960, et jusqu'à la disparition de Jerry Grotowski (1933-1999), Peter Brook a saisi l'importance de cet homme extraordinaire et mis en valeur ses choix radicaux. Grâce h des textes, des prises de parole, des témoignages, nous suivons dans ce livre de l'amitié la trajectoire du metteur en scène polonais, de la quête d'une forme " parfaite " à " l'art comme véhicule ". Mais le metteur en scène anglais pointe aussi sa différence, son besoin du public et de l'impureté élisabéthaine. Il ne commente pas, il dialogue avec Grotowski. Toute une vie.
Peter Brook Livres
Peter Brook était un metteur en scène de renommée mondiale, connu pour ses mises en scène novatrices d'œuvres de dramaturges célèbres. Son travail explorait en profondeur la psyché humaine et les thèmes universels, en mettant souvent l'accent sur l'action physique et les aspects rituels du théâtre. Brook cherchait à créer un théâtre véritablement universel transcendant les barrières culturelles, s'adressant à un public mondial par des répétitions prolongées et l'improvisation des acteurs. Ses productions étaient souvent visuellement époustouflantes, employant des éléments non conventionnels pour évoquer un sentiment de magie et de célébration.






Tip of the Tongue: Reflections on Language and Meaning
- 112pages
- 4 heures de lecture
A thoughtful and deeply personal book by a master theatre-maker. In Tip of the Tongue, Peter Brook takes a charming, playful, and wise look at topics such as the subtle, telling differences between French and English, and the many levels on which we can appreciate the works of Shakespeare. Brook also revisits his seminal concept of the "empty space," considering how theatre--and the world--have changed over the span of his long and distinguished career. Threaded throughout with intimate and revealing stories from Brook's own life, Tip of the Tongue is a short but sparkling gift from one of the greatest artists of recent times. Tip of the Tongue is part of Peter Brook's "Reflections" trilogy, along with The Quality of Mercy and Playing by Ear.
Evoking and Forgetting Shakespeare
- 48pages
- 2 heures de lecture
A revised edition of Peter Brook's take on Shakespeare, with a new chapter. The book addresses a number of questions about performing Shakespeare today: Why is Shakespeare not out of date? What do we mean by Shakespeare's genius or creativity.
The Complete Bordeaux offers detailed information on the many communes and appellations of Bordeaux along with descriptions and assessments of all its major properties. As well as incisive portraits of the leading properties and their produce, Stephen Brook provides a detailed look at Bordeaux's lesser-known areas and chateaux. There is also an invaluable vintage guide to the last four decades. Bordeaux encapsulates an incredible 13,000 wineries throughout 54 appellations and this book includes a thorough explanation of Bordeaux's history, terroir and winemaking styles
The memoir delves into Peter Brook's remarkable career in opera, stage, and film, showcasing his influential productions and visionary directing style. Reflecting on his artistic journey, Brook shares insights about his idols, teachers, and the philosophical influences that shaped him. He explores his passion for storytelling through various works, including adaptations of Mahabharata and The Cherry Orchard. Celebrated as a leading figure in contemporary theater, Brook's narrative offers an inspiring glimpse into the sources of his creativity and dedication to the art form.
The Empty Space: A Book about the Theatre: Deadly, Holy, Rough, Immediate
- 141pages
- 5 heures de lecture
A timeless classic on the art of theatre from the most influential stage director of the twentieth century.In this seminal and iconoclastic book, groundbreaking director and cofounder of the Royal Shakespeare Company Peter Brook draws on a life in love with the stage to explore the issues facing a theatrical performance. He describes important developments in theatre from the last century, as well as smaller scale events, from productions by Stanislavsky to the rise of Method Acting, from Brecht’s revolutionary alienation technique to the free form Happenings of the 1960s, and from the different styles of such great Shakespearean actors as John Gielgud and Paul Scofield to a joyous impromptu performance in the burnt-out shell of the Hamburg Opera just after the war. Along the way, Brook provides theatre-makers with an indispensable guide to creating exhilarating and fresh performances.Passionate, unconventional, and fascinating, The Empty Space shows how theatre defies rules, builds and shatters illusions, and creates lasting memories for its audiences.
There are No Secrets
- 128pages
- 5 heures de lecture
Peter Brook is the most consistently innovative director in Western theatre. In these three essays he returns to the concept of his first book The Empty Space and examines what that means for the life of a production.
In "The Open Door," Peter Brook explores the paradoxical philosophy of modern theatre, emphasizing the balance between preparation and spontaneity. Through anecdotes from his illustrious career, he shares insights on the essence of performance, drawing on influences from Shakespeare to indigenous theatres, offering a unique perspective on the theatrical experience.
"First published in Great Britain by Methuen Drama, 1988, and in paperback in 1989."
