Dacia Maraini Livres

En 1947, la famille de l'anthropologue Fosco Maraini revient en Sicile, après une longue détention dans un camp de concentration japonais. Ce livre de souvenirs d'enfance, Dacia Maraini l'a écrit avant La Bateau pour Kôbé, mais les événements rapportés lui font suite. Elle y raconte son retour dans un environnement qu'elle ne connaissait pas puisqu'elle avait un an quand elle suivit ses parents au Japon. Elle y trace un très beau portrait de son père, homme pourtant distant et austère. Elle y offre un tableau sensuel d'une Sicile redécouverte avec une famille aristocratique en pleine décadence, dans une province vouée aux requins spéculateurs. Dans ce récit très personnel, qui fait appel aux archives familiales autant qu'à la mémoire intime, elle propose aussi une approche sociologique et politique de cette région mythique de l'Italie en donnant un témoignage très singulier, à la fois vibrant, passionné et sévère sur son évolution depuis la dernière guerre mondiale.

A year in the life of three modern women, a grandmother, her daughter, and her granddaughter, living together under one roof, each struggling with love, revolt, reality in different (st)ages of existence. Their interactions are chronicled through each woman's stylistically varied voice as reported in three distinct forms of communication: diary entries, letters, and audio recordings. Despite appearances of conflicting perspectives, in the end their ardent solidarity promises their survival.

An author receives a mysterious e-mail begging her to tell the story of Clare of Assisi, the thirteenth-century Italian saint. At first annoyed by the request, the author begins to research Saint Clare and becomes captivated by her life. We too are transported into the strange and beautiful world of medieval Italy, witnessing the daily rituals of convent life. At the center of that life is Saint Clare, a subversive and compelling figure full of contradictions: a physically disabled woman who travels widely in her imagination, someone unforgivingly harsh to herself yet infinitely generous to the women she supervises, a practitioner of self-abnegation who nevertheless knows her own worth. A visionary who liberated herself from the chains of materialism and patriarchy, Saint Clare here becomes an inspirational figure for a new generation of readers.

1956: Amara, a young Italian journalist, is sent to report on the growing political divide between East and West in post-war central Europe. She also has a more personal mission: to find out what happened to Emanuele, her childhood friend and soulmate from pre-war Florence. Emanuele and his family were Jews transported by the Nazis from wartime Vienna. So she visits the Holocaust museum at Auschwitz, and Budapest, where she is caught up in the tumultuous events of the October rising against the Soviet Union. Along the way she meets many other survivors, each with their own story to tell. But did Emanuele survive the war or, like so many other Viennese Jews, did he die in Auschwitz or a ghetto in Poland?

The international bestseller from Italy's foremost woman writer—now in paperback. Dacia Maraini is a finalist for the 2011 Man Booker International Prize Set in Sicily in the early eighteenth-century, the novel tells the story of Marianna, the daughter of an aristocratic family and the victim of a mysterious childhood trauma that has left her deaf and mute, trapped in a world of silence. In luminous language that conveys both the keen visual sight and the deep human insight possessed by her remarkable main character, Dacia Maraini captures the splendor and the corruption of Marianna's world and the strength of her unbreakable spirit.

Il mondo cambia velocemente, la tecnologia trasforma le nostre abitudini quotidiane, anche le più consolidate. La morale da un lato e le leggi dall’altro faticano a tenere il passo. Eppure, certi temi, certe questioni ci impongono una riflessione attenta, puntuale, veloce. Dacia Maraini, una delle più note e apprezzate scrittrici di oggi, dialoga in questo piccolo, densissimo e illuminante libro con il giurista Claudio Volpe sulla delicata questione del ‘fine vita’. È ammis­sibile che una persona decida di morire, a prescindere dalla sua condizione fisica e di salute? La libertà di togliersi la vita può essere considerata una libertà degna? Si tratta di un diritto che, in estremo, può es­sere sancito da una legge, tenendo conto che comunque la Costituzione afferma che «nessuno può essere obbligato a un determi­nato trattamento sanitario» e che mai è consentito «violare i limiti imposti dal rispetto della persona umana»? Dalle parole di Maraini e Volpe emergono molti spunti di riflessione, anche suscitati dalla cronaca di ogni giorno. Muovendosi fra il mondo giuridico-normativo e quello delle testimonianze dirette, della letteratura e della mitologia antica, Il diritto di morire, con parole semplici e un tono sempre riguardoso, perfino commovente, aiuta il lettore a ragionare senza pregiudizi di sorta, sempre al riparo dal luogo comune, su un tema cruciale della nostra contemporaneità.

'Frauen und Männer werden gleich geboren, erst unsere Kultur macht sie ungleich.' Dacia Maraini Die Hoffnung der Frauen auf Liebe ist, so scheint es, durch nichts zu erschüttern. Doch wird sie oft herbe enttäuscht. In Die heimliche Braut, Die Nacht der Eifersucht und sechs weiteren Geschichten erzählt Dacia Maraini von Frauen, die von der Liebe träumen und sich spät – zu spät – gegen Übergriffe wehren. Ihr Umfeld bietet ihnen wenig Hilfe. Die Strukturen begünstigen die alten Muster, und Krisen verschärfen das Problem. Wie jetzt in Europa: Allein 2013 sind in Italien 124 Frauen von ihren Partnern, Ex-Partnern oder Liebhabern ermordet worden. Die Autorin möchte ihre Leserinnen und Leser aufrütteln. Schonungslos und radikal, dabei sachlich und stilistisch brillant, vermittelt sie bewegende Einblicke in eine häusliche Kultur, die zum Himmel schreit. Ein Buch, das lange nachwirkt – und die Sehnsucht weckt, vieles anders zu machen.

Questi due racconti di Dacia Maraini evidenziano i problemi della condizione femminile