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Laura Mulvey

    15 août 1941

    Laura Mulvey est une théoricienne féministe du cinéma britannique, reconnue pour son essai "Plaisir visuel et cinéma narratif". Cette œuvre influente, s'appuyant sur les théories psychanalytiques de Freud et Lacan, a inauguré l'intersection de la théorie cinématographique, de la psychanalyse et du féminisme. L'analyse de Mulvey explore comment le médium cinématographique construit le plaisir visuel et les structures narratives, révélant souvent leur intrication avec les systèmes patriarcaux. Son cadre théorique a fondamentalement modifié la critique cinématographique et les études des médias, en particulier à travers une perspective féministe.

    Laura Mulvey
    Citizen Kane
    Visual and Other Pleasures
    Themes and Movements: Pop
    • Themes and Movements: Pop

      • 304pages
      • 11 heures de lecture

      Exploring the evolution of Pop culture from the late 1950s to the late 1960s, this comprehensive survey examines its impact on art, film, photography, and architecture, highlighting the interplay between mass production and mass media. Unlike other works that focus solely on Pop art, it offers a holistic view of the movement's influence across America, Britain, and Europe, showcasing its diverse manifestations and cultural significance during this transformative era.

      Themes and Movements: Pop2005
      4,0
    • Citizen Kane

      • 104pages
      • 4 heures de lecture

      Laura Mulvey offers a fresh and original reading of one of the greatest films in all cinema. This new edition of Mulvey's study is published in the Film Classics 20th anniversary series of special editions, with a new foreword by the author, and a stunning new jacket design by Eric Skillman.

      Citizen Kane2000
      3,6
    • Visual and Other Pleasures

      • 240pages
      • 9 heures de lecture

      A new edition of Laura Mulvey's groundbreaking collection of essays, originally published in 1989. In an extensive introduction to this second edition, Mulvey looks back at the historical and personal contexts for her famous article Visual Pleasure and Narrative Cinema , and reassesses her theories in the light of new technologies.

      Visual and Other Pleasures1989
      4,1