The collection showcases the stunning, untouched beauty of the Northeast's salt marsh ecosystem through 57 large format black and white photographs by award-winning photographer Dorothy Monnelly. Her work, reminiscent of Ansel Adams, captures the marsh's sculptural qualities with striking clarity. Accompanied by an essay from journalist Doug Stewart, the book emphasizes the importance of preserving these vital landscapes, highlighting their resilience against erosion. Monnelly's photographs serve as a poignant reminder of the need for environmental sustainability.
Focusing on the elegance and functionality of the side by side shotgun, this book delves into its balance, beauty, and merits as a classic game gun. It offers insights on achieving a proper gun fit and shooting techniques, drawing from the author's extensive experience. The narrative emphasizes how a deeper understanding of this firearm enhances field experiences, reinforcing its status as the premier choice for upland bird shooting.
New illustrations and corrected material highlight this revision of the standard monstrous compendiums collected together in one volume. This will be the perfect, easy-to-use replacement for the bulkier compendiums of the past. Illustrations, some in color.
The book features a blend of fly dressing techniques and tying lessons, enriched by hundreds of illustrations from experienced fishing guide Doug Stewart. Interspersed throughout are personal stories and anecdotes that provide insightful knowledge and instruction, enhancing the reader's fishing skills and overall success.
The second part of this book delves deeper into the classic side by side, offering insightful praise and elusive information that is hard to find in today's context. It aims to enhance understanding and appreciation of these vehicles, providing readers with valuable knowledge that goes beyond the basics.
A successful mystery writer grapples with the overwhelming fame stemming from his RV Park murder mysteries, leading him to question his craft and the expectations of his audience. As he navigates the pressures of his newfound popularity, he confronts the darker side of fame and the impact it has on his creativity and personal life. The story delves into themes of identity, artistic integrity, and the complexities of living up to public perception.
Reflecting on the mid-1960s, the author grapples with the challenge of capturing a time filled with mythic significance, ultimately deeming his own life too mundane to represent that era. Acknowledging the fading memories of those who experienced the 1950s and 1960s, he contemplates the nature of history as a subjective narrative. Instead of the initially planned memoir, he channels his thoughts into this work, blending personal reflection with broader historical themes, offering a unique perspective on a transformative period.
A Gardener's Guide to Sustainable Gardening is an essential, practical guide to the design, planting and maintenance of truly regenerative and sustainable gardens. Discover a new model of thinking about our outdoor spaces, whether it's simple changes you can make in small gardens, or more challenging solutions that propose a significant departure from traditional gardening practices. This is not a rule book, but a map, guiding the willing gardener towards a better way of working with our natural world.
Im FOTOHOF Archiv werden Archivierung, Produktion und Präsentation umfassend abgedeckt. Ein klimatisierter Raum dient der Aufbewahrung der Objekte, während ein großer Arbeitsraum für Repros und Scans von Negativen und Prints genutzt wird und auch für Schulungen und Vorträge geeignet ist. Eine analoge Dunkelkammer ermöglicht klassische Vergrößerungen, während Inkjet-Printer digitale Daten drucken. Es stehen alle notwendigen Werkzeuge zur Archivierung von Negativen und Drucken zur Verfügung. Öffentlich zugängliche Arbeitsplätze für Kuratoren und eine kleine Galerie fördern die Präsentation von Bildern. Eine Datenbank registriert die Archivalien und macht sie für Forscher zugänglich, während ein öffentlicher Bereich Abbildungen der Bilder online verfügbar macht. Die Internetpräsenz des Archivs ist über die FOTOHOF-Homepage zugänglich.
Die Geschichte des Archivs beginnt mit der ersten Ausstellung der FOTOHOF Galerie 1981, die den Arbeiterfotografen Fritz Macho vorstellt. Das FOTOHOF erhielt von den Erben seine Negativen zur Aufbewahrung und Bearbeitung, was zu Ausstellungen und Publikationen führte. Das Archiv umfasst Fotografien von Künstlern wie Inge Morath und Harald P. Lechenperg und präsentiert auch neue Schenkungen von Fotokünstlern wie Michaela Moscouw und Doug Stewart. Stewart, ein amerikanischer Fotograf und Lehrer, hinterließ einen bedeutenden Teil seines Schaffens, das während seiner Zeit in Salzburg entstand. Diese er
