Allison Markin Powell Livres

'One of the great masterpieces of Japanese crime fiction' David Peace, author of Tokyo Year ZeroThis second half of Lady Joker, by Kaoru Takamura, the Grand Dame of Japanese crime fiction, concludes the breathtaking saga introduced in Volume I.Inspired by the real-life Glico-Morinaga kidnapping, an unsolved case that terrorized Japan for two years, Lady Joker reimagines the circumstances of this watershed episode in modern Japanese history and brings into riveting focus the lives and motivations of the victims, the perpetrators, the heroes and the villains. As the shady networks linking corporations to syndicates are brought to light, the stakes rise, and some of the professionals we have watched try to fight their way through this crisis will lose everything-some even their lives. Will the culprits ever be brought to justice? More importantly-what is justice?'A novel that portrays with devastating immensity how those on the dark fringes of society can be consumed by the darkness of their own hearts' Yoko Ogawa, author of The Memory Police

Be more Zen in 2022 with this little book of 100 tips and activities to soothe the soul 'Brings the spirit of Zen Buddhism to everyday life . . . 100 snack-size Zen activities you can do daily to add more calm to your life' Daily Telegraph _______ Zen is the perfect antidote to the stress and uncertainty of modern life . . . In clear, practical and easy to follow lessons - one a day for 100 days - renowned Buddhist monk Shunmyo Masuno draws on centuries of wisdom to show you how to apply the essence of Zen to modern life.

One of Japan’s great modern masters, Kaoru Takamura, makes her English-language debut with this two-volume publication of her magnum opus. Tokyo, 1995. Five men meet at the racetrack every Sunday to bet on horses. They have little in common except a deep disaffection with their lives, but together they represent the social struggles and griefs of post-War Japan: a poorly socialized genius stuck working as a welder; a demoted detective with a chip on his shoulder; a Zainichi Korean banker sick of being ostracized for his race; a struggling single dad of a teenage girl with Down syndrome. The fifth man bringing them all together is an elderly drugstore owner grieving his grandson, who has died suspiciously after the revelation of a family connection with the segregated buraku community, historically subjected to severe discrimination. Intent on revenge against a society that values corporate behemoths more than human life, the five conspirators decide to carry out a heist: kidnap the CEO of Japan’s largest beer conglomerate and extract blood money from the company’s corrupt financiers. Inspired by the unsolved true-crime kidnapping case perpetrated by “the Monster with 21 Faces,” Lady Joker has become a cultural touchstone since its 1997 publication, acknowledged as the magnum opus by one of Japan’s literary masters, twice adapted for film and TV and often taught in high school and college classrooms.

One of Japan's great modern writers, Kaoru Takamura, makes her English-language debut with Lady Joker, the million copy bestselling Japanese phenomenon.

Tsukiko croise par hasard, dans le café où elle va boire un verre tous les soirs après son travail, son ancien professeur de japonais. Et c'est insensiblement, presque à leur cœur défendant, qu'au fil des rencontres les liens se resserrent entre eux. La cueillette des champignons. Les poussins achetés au marché. La fête des fleurs. Les vingt-deux étoiles d'une nuit d'automne... Ces histoires sont tellement simples qu'il est difficile de dire pourquoi on ne peut les quitter. Peut-être est-ce l'air du bonheur qu'on y respire, celui des choses non pas ordinaires, mais si ténues qu'elles se volatilisent quand on essaie de les toucher. Ce livre agit comme un charme, il capte en plein vol la douceur de la vie avant qu'elle ne s'enfuie. " Le récit passe comme un vent tiède à travers une moustiquaire. Il y a là comme l'incantation d'une ritournelle. Une marelle. On saute du ciel à la terre, à cloche-pied, un verre de saké à la main ; le cœur meurtri cependant, à la fin, baigné de tant d'espoirs. " François Simon, Le Figaro littéraire. " Un livre d'une délicatesse à couper le souffle. " Christine Ferniot, Télérama.

Instantly reminiscent of the work of Osamu Dazai and Patricia Highsmith, Fuminori Nakamura’s latest novel is a dark and twisting house of mirrors that philosophically explores the violence of aesthetics and the horrors of identity. A young writer arrives at a prison to interview a convict. The writer has been commissioned to write a full account of the case, from the bizarre and grisly details of the crime to the nature of the man behind it. The suspect, a world-renowned photographer named Kiharazaka, has a deeply unsettling portfolio—lurking beneath the surface of each photograph is an acutely obsessive fascination with his subject. He stands accused of murdering two women—both burned alive—and will likely face the death penalty. But something isn’t quite right. As the young writer probes further, his doubts about this man as a killer intensify, and he struggles to maintain his sense of reason and justice. Is Kiharazaka truly guilty, or will he die to protect someone else? Evoking Truman Capote’s In Cold Blood and Ryūnosuke Akutagawa’s “Hell Screen,” Last Winter, We Parted is a twisted tale that asks a deceptively sinister question: Is it possible to truly capture the essence of another human being?