Bethan Roberts élabore des récits qui explorent les complexités des relations humaines et la subtilité des émotions cachées. Sa prose se distingue par une représentation sensible de la psyché humaine et par les ambiguïtés morales de ses personnages. Roberts aborde des thèmes tels que l'identité, la mémoire et les attentes sociales, souvent dans des décors évocateurs. Son style distinctif est à la fois précis et suggestif, invitant les lecteurs à une exploration approfondie de la vie intérieure de ses personnages.
Set against the backdrop of unfulfilled romance, this poignant narrative explores the complexities of love and longing. The story captures the essence of heartbreak and the challenges faced by its characters, making it a deeply moving experience. With its upcoming film adaptation featuring Harry Styles and Emma Corrin, the tale promises to resonate with audiences both on the page and on the screen.
What happens when your only son becomes The King of Rock ‘n’ Roll? From the moment she first holds him, after his twin brother is stillborn, Gladys Presley loves her son Elvis ferociously. She will be his greatest influence, the love of his life. She will be the one by his side, when Elvis is a boy and his father is in the jailhouse; as the family move from place to place, skirting poverty in Tupelo, Mississippi; as Elvis’s obsession with music grows; as they move to Memphis and he begins his whirlwind rise to never-before-seen success… And he will love her back, even as his heart is turned by the blues, clothes and girls. But while he makes it big in Hollywood, brings audiences across the land to their knees and achieves unimagined wealth and fame, there is another story – of drinking and diet pills, loneliness and loss. While the heat and music of the American South in the 40s and 50s play in the background, a heartbreaking portrait of a mother’s love and a son’s devotion takes centre stage. When Elvis reaches the height of his power, he buys his family the ultimate mansion on the hill, Graceland, where he hopes his mother will be happy. The reality, though, is very different, and Elvis finds that even kings must go on alone. 'Graceland is an astonishing literary achievement. Bethan Roberts somehow manages to unlock the mystery to that beautiful sadness in the voice of Elvis. Utterly heartbreaking.' Jake Arnott
It's summer 1936, and the world is on the cusp of change, but there's little sign of this in rural Sussex. So when Kitty Allen answers an advert looking for 'a good plain cook', she has no idea what she's in for. For starters, her employer is an American called Ellen Steinberg who believes in having the staff call her by her first name and sunbathing in the nude. Then there's Ellen's eleven-year-old daughter, Geenie, a bright, unhappy little thing, and Mrs Steinberg's gentleman friend, Mr Crane, who's said to be a poet - even though he doesn't have a beard and doesn't actually write much poetry. Rich bohemians imagining themselves as communists, Steinberg and Crane see themselves as champions of 'the people' - not that they know the first thing about how the people actually live. Kitty is in no position to criticise - after all she claimed to be a good plain cook, despite hardly knowing how to boil an egg. Utterly out of her depth, she is relieved to have the gardener, Arthur, to talk to. Otherwise she'd never last a summer in this madhouse. Ellen Steinberg wants life to run as smoothly as the love story she imagines her lover George Crane to be writing. But as Kitty arrives, the dream is on the edge of falling apart.
Cover -- Title Page -- Copyright -- Contents -- Introduction: 'No Better Dress than Russet Brown' -- 1: Natural History Nightingales: 'When the Buds of the Leaves Are Swelling' -- 2: Literary Nightingales: 'Old-World Pain' -- 3: Literary Nightingales: 'Selfsame Song' -- 4: Musical Nightingales: 'Organ of Delight' -- 5: 'Immortal Bird'? Nightingales in Decline -- Timeline -- References -- Select Bibliography -- Associations and Websites -- Acknowledgements -- Photo Acknowledgements -- Index.
Wie fühlt sich eine Mutter, deren zweijähriges Kind verschwindet? Wie fühlt sich eine Frau, die das Kind einer Anderen entführt? Ein spannender Roman über Liebe, Verlust und Zugehörigkeit. An einem warmen Junimorgen kommt Maggie Wichelo, eine einsame junge Frau, in dem gemütlichen Haus an, wo sie als Nanny arbeitet. Alles erscheint ganz normal. Es ist das Haus ihrer Kusine Nula. Nula hat wieder angefangen zu arbeiten und Maggie den zweijährigen Sohn Samuel anvertraut. Maggie ist konsequent, effizient und liebevoll, eine bessere Nanny gibt es nicht – so sieht sie sich selbst, und Nula und ihr Mann sehen es auch so. Aber heute wird Maggie Samuel einfach mitnehmen in ein Bootshaus auf der Insel, auf der sie ihre Teenager-Zeit verbracht hat: Anglesey, die von den Inselbewohnern Mon, Mam Cymru oder die Mutter von Wales genannt wird. Für Maggie hat alles auf dieser Insel angefangen: Das ist der schöne, bedrohliche und mysteriöse Ort, wo sie mit fünfzehn den Sommer verbracht hat, wo ihr Bruder Joe und ihre Kusine Nula sich verliebt, ihre Eltern sich getrennt haben und ihr Onkel die großartige Menai Strait gemalt hat. Auf dieser Insel ist Maggies Leben zerbrochen, und hier versucht sie, es wieder zusammenzusetzen. Das Kind der Anderen ist ein spannender und verstörender Roman über Liebe, Verlust und darüber, was es bedeutet, Mutter zu sein.