Alfred Alvarez Ordre des livres (chronologique)

Al Alvarez touched down in Las Vegas one hot day in 1981, a dedicated amateur poker player but a stranger to the town and its crazy ways. For three mesmerizing weeks he witnessed some of the monster high-stakes games that could only have happened in Vegas and talked to the extraordinary characters who dominated them--road gamblers and local professionals who won and lost fortunes on a regular basis. Set over the course of one tournament, <i>The Biggest Game in Town</i> is botha chronicle of the World Series of Poker--the first ever written--and a portrait of the hustlers, madmen, and geniuses who ruled the high-stakes game in America. It is a brilliant insight into poker's appeal as a hobby, an addiction, and a way of life, and into the skewed psychology of master players and fearless gamblers. With a new introduction by the author, Alvarez's classic account is "the greatest dissection of high-stakes Vegas poker and the madness that surrounds it ever written" (<i>TimeOut</i> [UK]).

Was treibt Felskletterer in die gefährlichsten Wände? Was macht ihn aus, den unwiderstehlichen Reiz der Vertikale gegenüber dem horizontalen Terrain, für das der Mensch eigentlich geschaffen ist? In seinem unterhaltsamen und scharfsinnigen Porträt der britischen Berg- und Ausrüsterlegende Mo Anthoine geht der renommierte Journalist und passionierte Bergsteiger Al Alvarez diesen Fragen auf den Grund. Er schildert die glücklichsten und dramatischsten Momente im Leben eines Bergbeses-senen, zu einer Zeit, in der wilde Abenteuerlust und tief empfundene Freundschaft in der Wand noch mehr zählten als nackte Oberkörper und Temporekorde. »Die intensiven Erfahrungen mit der Natur, die Mo Anthoine auf seinen Expeditionen sammelte, spornten ihn an, von unbekannten Herausforderungen zu träumen und stets aufs Neue aufzubrechen. Immer wieder balancierte er dabei auf dem schmalen Grat zwischen dem Hier und dem Jenseits. Doch jedes Mal gelang es ihm, einen Weg aus den Bergen zurück in den sicheren Alltag zu finden. Genau diese Erfahrungen brachten ihn Schritt für Schritt ein Stück näher zu sich selbst« (aus dem Vorwort von Ueli Steck).

Al Alvarez untersucht in seinem Porträt von Mo Anthoine die Faszination des Felskletterns und die Motivation hinter den gefährlichen Herausforderungen. Er beschreibt die glücklichen und dramatischen Momente eines Bergsteigers, der durch intensive Naturerlebnisse und Freundschaften geprägt ist und stets neue Abenteuer sucht.

Since its first publication twenty years ago, "The Biggest Game in Town" has become a sought-after cult classic. Acclaimed writer and critic Al Alvarez delves into the murky and compelling world of high-stakes Vegas poker, where 'the next best thing to playing and winning is playing and losing'. Uncovering an exotic underground rich in ambiance and eccentricity, "The Biggest Game in Town" is a real one of a kind, deftly capturing the skewed psyches and peculiar rites of professional poker players who descend every year for the World Series of Poker. It's a world that seems almost too surprising and bizarre to be true. "A cool, precise, sharply witty, vivid evocation of a place and people, their appearances, behaviour and speech...Mr Alvarez is a shrewd analyst of the psychology of gamblers and a cleverly selective recorder of their bizarre talk with which, directly and indirectly, they reveal their secure grasp of unreality and their insane courage" - "Sunday Telegraph". "It will have most readers sitting on the edge of their seats" - "Sunday Times". "A new classic on gambling it's quite brilliant" - "Time Out". "This is a magnificent book. Beyond the straights and full houses, Alvarez has written about people who are extremely good at what they do, and about America" - "San Francisco Chronicle".

A. Alvarez examines night in all its aspects. How do we light it? How do we inhabit it and make it safe? In what "languages" do we dream? The search moves from the neon-lit brilliance of Las Vegas to the shadowy underworld patrolled by the police. We visit a sleep laboratory, where scientists try to understand what happens to our bodies and in our brains when sleep claims us. Alvarez shows how "night horrors" inspired and terrified Coleridge, and how dreams liberated the minds of Stevenson and the Surrealists. He talks about his own childhood fears and explores the secret world of the unconscious. Through a highly original and accessible account of the thoughts of Freud, Jung, and their modern-day counterparts, as well as the latest scientific theories, Alvarez reveals how deeply dreams and the unconscious color and fashion our waking lives.

Examines the borderline between night and day, looks at the emotions aroused by the night, and provides understanding of the language of dreams and how dreams affect our waking selves