Max Beerbohm Livres

A monumental, canon-defining anthology of three centuries of American essays, from Cotton Mather and Benjamin Franklin to David Foster Wallace and Zadie Smith—selected by acclaimed essayist Phillip Lopate "Not only an education but a joy. This is a book for the ages." —Rivka Galchen, author of Atmospheric Disturbances The essay form is an especially democratic one, and many of the essays Phillip Lopate has gathered here address themselves—sometimes critically—to American values. We see the Puritans, the Founding Fathers and Mothers, and the stars of the American Renaissance struggle to establish a national culture. A grand tradition of nature writing runs from Audubon, Thoreau, and John Muir to Rachel Carson and Annie Dillard. Marginalized groups use the essay to assert or to complicate notions of identity. Lopate has cast his net wide, embracing critical, personal, political, philosophical, literary, polemical, autobiographical, and humorous essays. Americans by birth as well as immigrants appear here, famous essayists alongside writers more celebrated for fiction or poetry. The result is a dazzling overview of the riches of the American essay.

"The three decades that followed World War II were an exceptionally fertile period for American essays. The explosion of journals and magazines, the rise of public intellectuals, and breakthroughs in the arts inspired a flowering of literary culture. At the same time, the many problems that confronted mid-century America--racism, sexism, nuclear threat, war, poverty, and environmental degradation among them--proved fruitful topics for America's best minds. In The Golden Age of the American Essay, Phillip Lopate assembles a dazzling array of famous writers, critics, sociologists, theologians, historians, activists, theorists, humorists, poets, and novelists. Here are writers like James Agee, E. B. White, A. J. Liebling, Randall Jarrell, and Mary McCarthy, pivoting from the comic indignities of daily life to world peace, consumerism, and restaurants in Paris. Here is Norman Mailer on Jackie Kennedy, Vladimir Nabokov on Lolita, Martin Luther King, Jr.'s "Letter from Birmingham Jail," and Richard Hofstadter's "The Paranoid Style in American Politics." Here are Gore Vidal, Rachel Carson, James Baldwin, Susan Sontag, John Updike, Joan Didion, and many more, in a treasury of brilliant writing that has stood the test of time." -Amazon

Included are all seven of Max Beerbohm's major early essays. Though these essays were justly acclaimed in their time, their magnificence is such that they also demand the highest accolades in ours, replete as they are with undiminished colour and spectacle, humour and barbed excellence.--From back cover.

By turns humorous, learned, celebratory, and elegiac, the author displays a keen intelligence and a flair for language that turn bits of common, everyday life into resonant narrative. He maintains a conversational charm while taking the contemporary personal essay to a new level of complexity and candour.

Facsimile of colour illustrated 1918 ed. of The Happy Hypocrite.

The narrative unfolds as the protagonist discovers a long-forgotten portmanteau, triggering memories of a reckless past. The forced lock hints at a tumultuous history, suggesting themes of nostalgia and the consequences of youthful impulsiveness. As the story progresses, the protagonist is likely to confront the remnants of their former self, exploring the intersection of memory and identity. This journey promises to reveal both the weight of the past and the potential for personal growth.

This antiquarian book is a facsimile reprint of the original, preserving its historical significance despite potential imperfections like marks and flawed pages. The publication aims to protect and promote important literary works, ensuring they remain accessible in high-quality modern editions that reflect the original's authenticity.

Set in the vibrant fin-de-siècle 1890s, this collection features Max Beerbohm's sharp and humorous sketches of notable figures like Enoch Soames, Maltby, and Braxton, who embody the era's artistic and literary eccentricities. Through his witty portrayals, Beerbohm pays homage to the unique personalities of his time, blending comedy with keen observation. This work stands out as a significant contribution to modern humorous literature, reflecting the charm and quirks of a fascinating historical period.

Setting out from middle-class California to invent herself as a European-style intellectual, Sontag raised the bar of critical discourse and offered up a model of a freethinking, imaginative, and sensual woman. This book offers a reflection on the work, influence, and personality of Sontag.

AN NYRB CLASSICS ORIGINAL Virginia Woolf called Max Beerbohm “the prince” of essayists, F. W. Dupee praised his “whim of iron” and “cleverness amounting to genius,” while Beerbohm himself noted that “only the insane take themselves quite seriously.” From his precocious debut as a dandy in 1890s Oxford until he put his pen aside in the aftermath of World War II, Beerbohm was recognized as an incomparable observer of modern life and an essayist whose voice was always and only his own. Here Phillip Lopate, one of the finest essayists of our day, has selected the finest of Beerbohm’s essays. Whether writing about the vogue for Russian writers, laughter and philosophy, dandies, or George Bernard Shaw, Beerbohm is as unpredictable as he is unfailingly witty and wise. As Lopate writes, “Today . . . it becomes all the more necessary to ponder how Beerbohm performed the delicate operation of displaying so much personality without lapsing into sticky confession.”