Présente des oeuvres issues de l'utilisation d'un nouveau format : le 6 x 18 ou format panoramique, que le photographe a découvert dans les années 1980. Koudelka, nomade légendaire, bâtisseur au long cours, cherche une architecture idéale où composition, teinte, demi-teinte, proportion tissent l'incessant questionnement d'une juste mise en perspective de l'état du monde.
Henri Cartier-Bresson reveals--as only a few great artists have done consistently--the variety and richness of human experience in the twentieth century. This second volume of Aperture's Masters of Photography series confirms the genius of the photographer who--with the new, smaller, hand-held cameras and faster films--defined the idea of "the decisive moment" in photography. Cartier-Bresson's imagery is intimate but utterly respectful of his subjects. In his travels throughout the world, he has captured glimpses of individual lives in scores of countries. Taken together, Cartier-Bresson's works constitute a personal history of epic scope. This volume presents forty-two of the artist's photographs, each recognized as a masterpiece of the medium. In addition, Cartier-Bresson offers a brief statement about what drives his work.