Jonathan Nasaw Livres

Today's business leaders operate in an increasingly harsh environment. Uncertainty in the economy causes paralysis. Quarterly goals drive short-term and shortsighted decisions. Workforce mobility kills loyalty. Iconic products decline as fast as startups create new categories. And the pressure to do more with less, combined with the unfathomable multiplicity of marketing tools and technology, can be overwhelming. Now more than ever, brands and the people who lead them need clarity and guidance. The good news is that people groups and teams have found ways to thrive in harsh environments for millennia, and by combining the lessons of group survival dynamics with more than a decade of proprietary research into the factors that cause companies to lose their way, a new guide for thriving in uncertain and unforgiving business environments is born. Brand vs. Wild helps readers understand the wilderness in which they find their companies and identify what specific steps they must take to thrive in the Brand Wilderness(TM). There is hope in a harsh business world. And Brand vs. Wild is it.

Jonathan Lewis showcases a stunning array of photographs of freight trains as they work the West Coast Main Line.

A psychotic killer, Max is made up of a twisted collection of personalities struggling to find a way out. One of those personalities is insatiably vicious and leads Max to prey on women with strawberry-blond hair. His latest quarry is Dr. Irene Cogan, who is about to learn to things firsthand: what makes Max tick, and what happened to the girls he adored.

Detective and mystery stories. Two hot young lovers who also happen to be cold-blooded killers ...Lily deVries suffers from DVD, a psychiatric condition known as dissociative identity disorder. Triggered by a devastating childhood trauma, her mind has fragmented into different personali- ties known as 'alters'. There's the gentle, child-like Lily; the sexually insatiable Lilah; and Lilith - the violent psychopath. Now Lily has found herself in the Reed-Chase mental institution where they're hoping to find a cure. But there's another patient undergoing treatment at the Institute. Fellow DID sufferer Ulysses Maxwell faces life imprisonment following the rape and murder of a dozen women. When Lilith and Max - Maxwell's psychopathic alter - meet, the reaction is dynamite. And when the ingenious lovers engineer a bloody escape, it's only ex-FBI Agent Pender who has any chance of stopping the ensuing carnage. Teaming up with Dr Irene Cogan, a brilliant psychiatrist, he must take on a pair of killers who win hearts as easily as they slit throats.

A riveting psychological thriller from the author of THE GIRLS HE ADORED, featuring a twisted serial killer who preys on victims of phobia disorders

In his four previous novels of suspense, Jonathan Nasaw gave readers a charming and unlikely hero against the forces of evil in former FBI agent E.L. Pender. Now, in The Boys from Santa Cruz, Pender faces his most terrifying foe to date. Like James Patterson and John Connolly, Jonathan Nasaw has proven time and again that he has an uncanny, almost eerie, knack for getting inside the labyrinthine and horrifying minds of the most deranged serial killers. In Fear Itself, Nasaw first introduced Pender, a rumpled, endearingly flawed investigator who immediately won readers’ hearts. In The Girls He Adored, Pender defeated a perverted psycho named Max, then went on to face The Machete Man in Twenty-Seven Bones, called a “skin-crawling, gory psycho-thriller” by the Scottish Daily Record. When last we left Pender, in Nasaw’s sexually charged thriller When She Was Bad, he took on a pair of mentally insane killers and nearly lost himself in the dark and blood-drenched recesses of their two twisted psyches. With his lust for terror and a frightening talent for getting deep under his readers’ skins, Nasaw promises to deliver more gripping action and unimaginably gruesome detail as he introduces readers to the bloodthirsty The Boys from Santa Cruz.

'As his eyes adjusted to the light, what appeared at first to be a can of ivory-coloured sticks proved to be a can of disarticulated bones, some long and thin, flared out delicately at the ends, others roundish, like irregularly-shaped stones, and still others short, with conical tips. They were of course the bones of a human hand. If he'd counted, he'd have found twenty-seven of them - eight carpals, five metacarpals and fourteen phalanges.' Although officially retired, ex-Special Agent Pender can't ignore a plea for help from an old friend - especially when there's an all expenses paid trip to the Caribbean attached. Julian Coffee, St Luke's chief of police, needs Pender's help to track down a serial killer known as the 'Machete Man' because of his habit of cutting off the right hand of his victims. Pender is about to discover the strangest and most baffling case of his long career.

A stunning collection of locomotives in the Western American states.

Říkejte mu Max. Ale nepodávejte mu ruku. Vlastně se k němu raději vůbec nepřibližujte. Protože Max je bytost, v jejímž nitru spolu soupeří jakási zvrácená sbírka osobností a snaží se proniknout ven. Jedna z těchto osobností je zlá. Nenasytná. Umí obratně zacházet s nožem a lační po ženách s plavými vlasy. Maxova nejnovější kořist, dr. Irena Coganová, se má brzy dozvědět dvě věci: co Maxe dovádí k šílenství a jak dopadly dívky, které miloval. Jonathan Nasaw v sexuálně podbarveném thrilleru, kterému nechybí originalita ani napětí, geniálně vykresluje tři stejně výrazné osobnosti - deviantního vraha, kvalifikovanou psychiatričku, kterou vrah unese, a rozkošně neupraveného zasloužilého agenta FBI, jenž je jim na stopě

Ein alter Fluch - eine Mordserie auf einer Insel Wer den letzten Atem eines Sterbenden aufsaugt, erwirbt das ewige Leben. Eine Serie von Morden schockiert die Bevölkerung auf den Virgin Islands. Allen Opfern fehlt die rechte Hand. Die Polizei versucht, die Fälle zu vertuschen, um den Tourismus auf der Insel nicht zu gefährden. Der frühere FBI-Agent Pender hat einen Verdacht, wer der Killer sein könnte, doch keine Ahnung, wie er ihm seine Taten nachweisen kann. Auch in seinem dritten Roman steigert der Autor die Spannung ins fast Unerträgliche, so dass der Leser die Ängste der Figuren beklemmend mitfühlt.