Walt Whitman Livres

This exploration delves into Whitman's journey of self-discovery, highlighting his profound and mystical connection with the world around him. The narrative reveals how his experiences shaped his identity and artistic expression, offering a deep understanding of his philosophical and poetic evolution.

When Walt Whitman self-published Leaves of Grass in 1855 it was a slim volume of twelve poems and he was a journalist and poet from Long Island, little-known but full of ambition and poetic fire. To give a new voice to the new nation shaken by civil war, he spent his entire life revising and adding to the work, but his initial act of bravado in answering Ralph Waldo Emerson's call for a national poet has made Whitman the quintessential American writer. This rich cross-section of his work includes poems from throughout Whitman's lifetime as published on his deathbed edition of 1891 and other works.

As he was turning forty, Walt Whitman wrote twelve poems in a small handmade book he entitled "Live Oak, With Moss." The poems were intensely private reflections on his attraction to and affection for other men. They were also Whitman's most adventurous explorations of the theme of same-sex love, composed decades before the word "homosexual" came into use. This revolutionary, extraordinarily beautiful and passionate cluster of poems was never published by Whitman and has remained unknown to the general public--until now. New York Times bestselling and Caldecott Award-winning illustrator Brian Selznick offers a provocative visual narrative of "Live Oak, With Moss," and Whitman scholar Karen Karbiener reconstructs the story of the poetic cluster's creation and destruction. Walt Whitman's reassembled, reinterpreted Live Oak, With Moss serves as a source of inspiration and a cause for celebration.

One of the great innovative figures in American letters, Walt Whitman created a daringly new kind of poetry that became a major force in world literature. Leaves Of Grass is his one book. First published in 1855 with only twelve poems, it was greeted by Ralph Waldo Emerson as "the wonderful gift . . . the most extraordinary piece of wit and wisdom that America has yet contributed." Over the course of Whitman's life, the book reappeared in many versions, expanded and transformed as the author's experiences and the nation's history changed and grew. Whitman's ambition was to creates something uniquely American. In that he succeeded. His poems have been woven into the very fabric of the American character. From his solemn masterpieces "When Lilacs Last in the Dooryard Bloom'd" and "Out of the Cradle Endlessly Rocking" to the joyous freedom of "Song of Myself," "I Sing the Body Electric," and "Song of the Open Road," Whitman's work lives on, an inspiration to the poets of later generations.

This book is the first to offer a comprehensive selection of Walt Whitman’s Civil War poetry and prose with a full commentary on each work. Ed Folsom and Christopher Merrill carry on a dialogue with Whitman (and with each other) as they invite readers to trace how Whitman’s writing about the Civil War develops, shifts, and manifests itself in different genres throughout the years of the war. The book offers forty selections of Whitman’s war writings, including not only the well-known war poems but also his prose and personal letters. Each are followed by Folsom’s critical examination and then by Merrill’s afterword, suggesting broader contexts for thinking about the selection. The real democratic reader, Whitman said, “must himself or herself construct indeed the poem, argument, history, metaphysical essay—the text furnishing the hints, the clue, the start or frame-work,” because what is needed for democracy to flourish is “a nation of supple and athletic minds.” Folsom and Merrill model this kind of active reading and encourage both seasoned and new readers of Whitman’s war writings to enter into the challenging and exhilarating mode of talking back to Whitman, arguing with him, and learning from him.

This collection contains the poetic works of Walt Whitman. These poems reflect the vitality of a new nation and the vastness of its lands. They combine autobiographical, sociological and religious themes but did not conform to previous genres.

This is a collection of Whitman's sexually and emotionally daring poetry, which challenged his Victorian readers and is still as lively and potent today.

Presents twenty-four poems from "Leaves of Grass," including "I Hear America Singing," "I Sing the Body Electric," and "O Captain! My Captain!"

Walt Whitman's invaluable notebooks have been virtually inaccessible to the public, until now. Maintaining the early notebooks' wild, syncretic feel and sample illustrations of Whitman's beautiful and unkempt pages, Zachary Turpin and Matt Miller's thorough transcriptions have made these notebooks available to all.

Whitman threw down a challenge to the genteel readers of Tennyson's and Longfellow's work through poems of sexual and emotional daring. This book contains both text and commentary.