Drama and the world of Richard Wagner

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Richard Wagner remains one of history's most controversial artists, sparking ongoing debates about his works and their implications. This book offers the first comprehensive modern account of Wagner's musical dramas, exploring them through the lenses of literary and theatrical history. It spans from his early, often overlooked compositions to the renowned Ring Cycle and Parsifal, including unfinished works and operas he never completed. Through engaging prose, the author presents Wagner not just as a composer but as a librettist and man of letters, revealing a rich tapestry of cultural and historical references in his works. The first section delves into archetypal scenes, providing insight into Wagner's dramatic processes across all his operas. The second part connects Wagner to significant political figures like King Ludwig II and Bismarck, while also addressing critical perspectives from literary giants such as Thomas Mann and Nietzsche. Mann is highlighted as a guiding figure in understanding Wagner's influence, while Nietzsche’s focus on philology serves as a critical lens for interpreting Wagner's legacy. With over twenty years of scholarship dedicated to the Bayreuth Festival, the author presents a culmination of his extensive engagement with Wagner, reflecting a deep critical passion for the composer's oeuvre.