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Kisho Kurokawa, Metabolism and symbiosis, Metabolismus und Symbiosis

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Kisho Kurokawa's international projects have grown in size along with his reputation. Nearly five decades of geometrically elegant buildings, from celebrated recent ones like the Kuala Lumpur International Airport and an addition to the Van Gogh Museum, have established him as one of the field's foremost practitioners and thinkers. A co-founder in the 1960s of the influential Metabolism movement in Japan, which promoted adaptable structures, Kurokawa has recently articulated his theory of Symbiosis, in which he examines the contemporary shift from machine-age values to more organic environments. This retrospective book spans his still-vibrant career, illuminating the continuity, originality and humanity of his work. (His Hiroshima City Museum of Contemporary Art left a gap in the central circular pavilion facing the direction of the bomb's detonation.) Covered here are less-familiar early designs and current undertakings of astounding proportions, like Zhengdong New District in China, a planned city of 15,000 people.

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Kisho Kurokawa, Metabolism and symbiosis, Metabolismus und Symbiosis, Peter Cachola Schmal

Langue
Année de publication
2005
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Titre
Kisho Kurokawa, Metabolism and symbiosis, Metabolismus und Symbiosis
Langue
Anglais, Allemand
Éditeur
Jovis
Publié
2005
Format
rigide
Pages
160
ISBN10
3936314446
ISBN13
9783936314441
Séries
Évaluation
3,5 sur 5
Description
Kisho Kurokawa's international projects have grown in size along with his reputation. Nearly five decades of geometrically elegant buildings, from celebrated recent ones like the Kuala Lumpur International Airport and an addition to the Van Gogh Museum, have established him as one of the field's foremost practitioners and thinkers. A co-founder in the 1960s of the influential Metabolism movement in Japan, which promoted adaptable structures, Kurokawa has recently articulated his theory of Symbiosis, in which he examines the contemporary shift from machine-age values to more organic environments. This retrospective book spans his still-vibrant career, illuminating the continuity, originality and humanity of his work. (His Hiroshima City Museum of Contemporary Art left a gap in the central circular pavilion facing the direction of the bomb's detonation.) Covered here are less-familiar early designs and current undertakings of astounding proportions, like Zhengdong New District in China, a planned city of 15,000 people.