Architecture as philosophy

At the start, Imre Makovecz gently critiques those who introduced his work to the West, expressing gratitude while noting their partial understanding, which led to simplifications and misinterpretations. He emphasizes that he is not merely a rebel against communism but is engaged in a broader struggle against materialistic individuality. He highlights how architecture in Hungary is viewed not as an art but as a service, reflecting a cultural amnesia that resonates globally, resulting in increasing rootlessness. Contrary to the portrayal of Makovecz as a wild man or primitive, this book reveals him as a sophisticated architectural philosopher, well-versed in diverse international influences. His work transcends mere aesthetics, embracing place and community, and emphasizes the building process and the involvement of craftsmen, echoing the values of William Morris. Most intriguingly, Makovecz claims to connect with ancient folk memories embedded in handmade patterns, gestures, and dance. He challenges our understanding of civilization, suggesting that intelligence and communication existed long before the advent of cities and writing. Born in 1935, Makovecz studied in Budapest and established his architectural studio in 1983, primarily working in Hungary. He is an honorary member of various architectural associations and has received prestigious awards, including the Gold Medal from the French Architectural Institute. János Gerl