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Variantology

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  • 518pages
  • 19 heures de lecture

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We orient ourselves on the Orient, literally meaning “the rising sun,” also known as the Levant. This perspective guided our fourth variantological expedition exploring the interconnections between arts, sciences, and technologies. Our journey began at the House of Wisdom in Baghdad, where the ninth century saw the creation of programmed music automatons and a new worldview. We then visited a chamber in Cairo, where the early eleventh century redefined the laws of seeing and visual perception. In the al-Jazira region, between the Euphrates and Tigris rivers, we discovered detailed descriptions and constructions of automaton theatres from the eleventh and twelfth centuries. Further stops included Andalusia, India, Iran, Istanbul, and the Three Moons monastic school in Beirut, Syria, each site enriching our sense of wonder. By the journey's end, we felt akin to Averroes of Cordoba, writing in Latin, thinking in Greek, and dreaming in Arabic. We are certain that future histories of arts and media must deeply engage with the profound legacy of Arabic-Islamic culture. Contributors include Ulrich Alertz, Hans Belting, Arianna Borrelli, and many others.

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Variantology, Siegfried Zielinski

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Année de publication
2010
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Titre
Variantology
Langue
Anglais
Éditeur
König
Publié
2010
Format
souple
Pages
518
ISBN10
3865607322
ISBN13
9783865607324
Séries
Description
We orient ourselves on the Orient, literally meaning “the rising sun,” also known as the Levant. This perspective guided our fourth variantological expedition exploring the interconnections between arts, sciences, and technologies. Our journey began at the House of Wisdom in Baghdad, where the ninth century saw the creation of programmed music automatons and a new worldview. We then visited a chamber in Cairo, where the early eleventh century redefined the laws of seeing and visual perception. In the al-Jazira region, between the Euphrates and Tigris rivers, we discovered detailed descriptions and constructions of automaton theatres from the eleventh and twelfth centuries. Further stops included Andalusia, India, Iran, Istanbul, and the Three Moons monastic school in Beirut, Syria, each site enriching our sense of wonder. By the journey's end, we felt akin to Averroes of Cordoba, writing in Latin, thinking in Greek, and dreaming in Arabic. We are certain that future histories of arts and media must deeply engage with the profound legacy of Arabic-Islamic culture. Contributors include Ulrich Alertz, Hans Belting, Arianna Borrelli, and many others.