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Modernist authenticities

The Material Body and the Poetics of Amy Lowell and William Carlos Williams

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  • 249pages
  • 9 heures de lecture

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'Modernist Authenticities' challenges current understandings of modernism by investigating modernist poetry's affinities with surfaces, performances, and materiality. Arguing that modernist writers reference the material body as a source of authenticity and anxiety, this study explores poetry in the context of somatic discourses. Reconsidering Amy Lowell's and William Carlos Williams's poetry, as well as texts by selected other authors, this book suggests that modernism operates with both essentialist and performative conceptions of authenticity. The study proposes that the expansion of the modernist canon in the last decades has still privileged the high modernist paradigm of originality. Authors like Williams and Lowell, who emphasize the theatrical and the performative, were relegated to the margins. Reading Williams's and Lowell's poems in relation to photography and film, expressive culture, and discourses of deviance, this book illuminates modernist literary practices in new ways.

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Modernist authenticities, Simone Knewitz

Langue
Année de publication
2014
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Titre
Modernist authenticities
Sous-titre
The Material Body and the Poetics of Amy Lowell and William Carlos Williams
Langue
Anglais
Publié
2014
Format
rigide
Pages
249
ISBN10
3825363260
ISBN13
9783825363260
Séries
Mots clés
Fiction, Poésie
Description
'Modernist Authenticities' challenges current understandings of modernism by investigating modernist poetry's affinities with surfaces, performances, and materiality. Arguing that modernist writers reference the material body as a source of authenticity and anxiety, this study explores poetry in the context of somatic discourses. Reconsidering Amy Lowell's and William Carlos Williams's poetry, as well as texts by selected other authors, this book suggests that modernism operates with both essentialist and performative conceptions of authenticity. The study proposes that the expansion of the modernist canon in the last decades has still privileged the high modernist paradigm of originality. Authors like Williams and Lowell, who emphasize the theatrical and the performative, were relegated to the margins. Reading Williams's and Lowell's poems in relation to photography and film, expressive culture, and discourses of deviance, this book illuminates modernist literary practices in new ways.