Judaism in opera

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The sensitive and complex topic of Judaism necessitates a multifaceted approach that reflects on religion, history, and tradition while examining perceptions of Jewish identity. This publication aims to cover a broad spectrum to address its intricate goals. In line with the mission of the European Music Theatre Academy as a forum for dialogue between research and practice, it brings together contributions from international scholars and practitioners, including composers, directors, opera singers, synagogue cantors, artistic directors, and cultural critics from Europe, Israel, and the USA. While the title may provocatively reference Richard Wagner's infamous anti-Semitic tract "Das Judentum in der Musik," this collection does not focus on that controversial pamphlet. Instead, it seeks to highlight the enriching influence and creative contributions of Jewish culture and artists within the realm of opera. Contributions come from a diverse array of voices, including Julie Brown, Aviel Cahn, David Conway, Chaya Czernowin, John Deathridge, and many others, ensuring a wide range of insights and perspectives on the subject.