Music in China today

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Given China's vast size and rich cultural history, it is surprising that ethno-musicological research has been relatively limited. UNESCO's initiative, Masterpieces of the Oral and Intangible Heritage of Humanity, has played a crucial role in rekindling appreciation for traditional Chinese arts. Since its inception, China has successfully inscribed nearly 30 traditions on this prestigious list, along with seven more on the List of Intangible Cultural Heritage in Need of Urgent Safeguarding. This has led to a significant shift in how traditional arts are perceived, transforming them into “fashionable pastimes for educated young people” (Helen Rees). The book explores various traditions, including the evolving perceptions of the guqin zither, the minority music of the Naxi and Uyghur peoples, and significant 20th-century developments like Li Jinhui's children operas. It also examines the relationship between music and power during and after Mao Zedong's era. Moving into the 21st century, the text discusses a new folk song movement and the rise of popular girl bands, as well as perspectives from Taiwanese Chinese regarding their heritage. Additional topics include Chinese shadow play and the folk dance genre yangge, along with guidance for Westerners on appreciating Chinese music. An accompanying 80-minute audio CD features 17 tracks that complement the discussions in the book.