Paramètres
- 286pages
- 11 heures de lecture
En savoir plus sur le livre
A pioneer in the field, Christian Metz applies insights of structural linguistics to the language of film."The semiology of film . . . can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cinéma: langue ou langage?'"—Geoffrey Nowell-Smith, Times Literary Supplement"Modern film theory begins with Metz."—Constance Penley, coeditor of Camera Obscura"Any consideration of semiology in relation to the particular field signifying practice of film passes inevitably through a reference to the work of Christian Metz. . . . The first book to be written in this field, [Film Language] is important not merely because of this primacy but also because of the issues it raises . . . issues that have become crucial to the contemporary argument."—Stephen Heath, Screen
Achat du livre
Film Language, Christian Metz
- Langue
- Année de publication
- 1991
- Reliure
- (souple)
Modes de paiement
Il manque plus que ton avis ici.
- Titre
- Film Language
- Langue
- Anglais
- Auteurs
- Christian Metz
- Publié
- 1991
- Format
- souple
- Pages
- 286
- ISBN10
- 0226521303
- ISBN13
- 9780226521305
- Séries
- Mots clés
- Art, Thématique cinématographique, Linguistique, Théories scientifiques, Recherche, Sémiotique
- Évaluation
- 3,85 sur 5
- Description
- A pioneer in the field, Christian Metz applies insights of structural linguistics to the language of film."The semiology of film . . . can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cinéma: langue ou langage?'"—Geoffrey Nowell-Smith, Times Literary Supplement"Modern film theory begins with Metz."—Constance Penley, coeditor of Camera Obscura"Any consideration of semiology in relation to the particular field signifying practice of film passes inevitably through a reference to the work of Christian Metz. . . . The first book to be written in this field, [Film Language] is important not merely because of this primacy but also because of the issues it raises . . . issues that have become crucial to the contemporary argument."—Stephen Heath, Screen