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A truly compelling comparative study. The analogues between filmic and religious 'worldmaking' are richly illuminating, bringing the reader to fresh insights about the structure and dynamics of both mediums. Setting aside the customary approach of simply analyzing religious themes in movies, the volume compares mythic and ritual ways of constructing a world with cinematic processes such as framing and focus, editorial selection, lighting, camera angle, voice, use of time and space and iconicity - doing so with lucidity, ingenuity and masterful use of a repertoire of interpretive frameworks. William Paden, University of Vermont
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Religion and Film, S. Brent Plate
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- Année de publication
- 2017
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