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A combination of historical and contemporary material, this publication accompanies an exhibition which explores the appeal of post-war monumental architecture to contemporary artists and takes as its departure point the work of Chamberlin, Powell and Bon (architects of the Barbican) in Leeds. The artists have a common interest in the after-life of utopian modernism and in the aspirations - social, political and aesthetic - of the 1960s. Published on the occasion of the exhibition The New Monumentality at Henry Moore Institute, May - August 2009.
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New Monumentality, John Doerr
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- 2009
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