Paramètres
- 280pages
- 10 heures de lecture
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Once languages become written, they change. Only in writing does language develop the artfulness and richness that we associate with a Shakespeare, a Proust or a Whitman. Yet over the last forty years, the English-language has effectively gone into reverse - taking our lead from America and the legacy of the 19060s, our culture increasingly privileges the oral over the written, spurning the art of elaborated, 'written'-style language in favour of returning to the state of a spoken culture. Parallel developments have occurred in music. In this controversial and thought-provoking book, Jon McWhorter argues that the 1960's rejection of cultural traits associated with the Establishment, as well as a democratic celebration of what anyone can do over what requires training or talent, has led to our culture being increasingly impoverished, both intellectually and artistically, a culture that hates itself.
Achat du livre
Doing Our Own Thing, John H. McWhorter
- Langue
- Année de publication
- 2004
- product-detail.submit-box.info.binding
- (rigide)
Modes de paiement
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- Titre
- Doing Our Own Thing
- Langue
- Anglais
- Auteurs
- John H. McWhorter
- Éditeur
- Heinemann Young Books
- Publié
- 2004
- Format
- rigide
- Pages
- 280
- ISBN10
- 0434010588
- ISBN13
- 9780434010585
- Séries
- Mots clés
- Nonfiction, Sciences sociales, Art / Culture, Thème historique, Histoires vraies, Histoire, Thématique musicale, Musique, Presse d'opinion & Essais, Culture et Société, Langues, Linguistique
- Évaluation
- 3,6 sur 5
- Description
- Once languages become written, they change. Only in writing does language develop the artfulness and richness that we associate with a Shakespeare, a Proust or a Whitman. Yet over the last forty years, the English-language has effectively gone into reverse - taking our lead from America and the legacy of the 19060s, our culture increasingly privileges the oral over the written, spurning the art of elaborated, 'written'-style language in favour of returning to the state of a spoken culture. Parallel developments have occurred in music. In this controversial and thought-provoking book, Jon McWhorter argues that the 1960's rejection of cultural traits associated with the Establishment, as well as a democratic celebration of what anyone can do over what requires training or talent, has led to our culture being increasingly impoverished, both intellectually and artistically, a culture that hates itself.


