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Aesthetics of Self-Invention

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Whether as a gay man or as a postmodern performance artist ahead of his time, Wilde ultimately emerges here as the embodiment of the twentieth-century media-savvy artist who is both subject and object of the aesthetic and economic systems in which he is enmeshed.

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Aesthetics of Self-Invention, Shelton Waldrep

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Année de publication
2004
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