En savoir plus sur le livre
This volume contains a survey of the works by Russian-born American painter Mark Rothko (1903-1970). Rothko belongs to the generation of American artists who completely revolutionized the essence of abstract painting. His stylistic evolution, from a figurative visual repertoire to an abstract style rooted in the active relationship of the observer to the painting, embodied the radical vision of a renaissance in painting. Rothko characterized this relationship as a consummated experience between picture and onlooker. His color formations indeed draw the observer into a space filled with an inner light. He was mainly concerned with the viewer's experience, the merging of work and recipient beyond verbal comprehension
Achat du livre
Mark Rothko : 1903-1970 : pictures as drama, Jacob Baal Teshuva, Mark Rothko
- Langue
- Année de publication
- 2009
- product-detail.submit-box.info.binding
- (rigide)
Modes de paiement
Il manque plus que ton avis ici.
- Titre
- Mark Rothko : 1903-1970 : pictures as drama
- Langue
- Anglais
- Auteurs
- Jacob Baal Teshuva, Mark Rothko
- Éditeur
- Taschen
- Publié
- 2009
- Format
- rigide
- Pages
- 96
- ISBN10
- 3836512831
- ISBN13
- 9783836512831
- Séries
- Mots clés
- Nonfiction, Art / Culture, Histoires vraies, Biographies, Art, Manuels et guides, Design, Histoire et théorie de l’art, Histoire de l'art, Amérique
- Évaluation
- 4,15 sur 5
- Description
- This volume contains a survey of the works by Russian-born American painter Mark Rothko (1903-1970). Rothko belongs to the generation of American artists who completely revolutionized the essence of abstract painting. His stylistic evolution, from a figurative visual repertoire to an abstract style rooted in the active relationship of the observer to the painting, embodied the radical vision of a renaissance in painting. Rothko characterized this relationship as a consummated experience between picture and onlooker. His color formations indeed draw the observer into a space filled with an inner light. He was mainly concerned with the viewer's experience, the merging of work and recipient beyond verbal comprehension