Paramètres
- 224pages
- 8 heures de lecture
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This is the first English-language study of internationally acclaimed Portuguese filmmaker Pedro Costa, examining the cultural, production and exhibition contexts of his feature films, shorts and video installations. It situates Costa's filmmaking within the contexts of Portuguese, European and global art film, looking into his working practices alongside the impact of digital video, forms of collaborative authorship, and the intricate dialogue between modes of production and aesthetics. Considering the exhibition, circulation and reception of Costa's creative output in settings such as film festivals, the art gallery circuit and the home video market, ReFocus: The Films of Pedro Costa provides an essential critical analysis of this major filmmaker - as well as of the multifaceted production and consumption practices that surround contemporary art cinema.
Achat du livre
Refocus: The Films of Pedro Costa, Nuno Barradas Jorge
- Langue
- Année de publication
- 2021
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- (souple)
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- Titre
- Refocus: The Films of Pedro Costa
- Langue
- Anglais
- Auteurs
- Nuno Barradas Jorge
- Éditeur
- Edinburgh University Press
- Publié
- 2021
- Format
- souple
- Pages
- 224
- ISBN10
- 1474444547
- ISBN13
- 9781474444545
- Séries
- Évaluation
- 5 sur 5
- Description
- This is the first English-language study of internationally acclaimed Portuguese filmmaker Pedro Costa, examining the cultural, production and exhibition contexts of his feature films, shorts and video installations. It situates Costa's filmmaking within the contexts of Portuguese, European and global art film, looking into his working practices alongside the impact of digital video, forms of collaborative authorship, and the intricate dialogue between modes of production and aesthetics. Considering the exhibition, circulation and reception of Costa's creative output in settings such as film festivals, the art gallery circuit and the home video market, ReFocus: The Films of Pedro Costa provides an essential critical analysis of this major filmmaker - as well as of the multifaceted production and consumption practices that surround contemporary art cinema.