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Simone Verovio

Music printing, intabulations and basso continuo in Rome around 1600

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  • 395pages
  • 14 heures de lecture

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The book explores Simone Verovio's innovative use of intaglio printing for musical scores, which enabled on-demand printing and the integration of various notations on a single page. It compares intaglio and relief printing techniques in Verovio's editions, offering insights into the production of sheet music around 1600. Additionally, the analysis of vocal and instrumental parts reveals significant findings about historical performance practices, making it a valuable resource for understanding music printing and performance in that era.

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Simone Verovio, Augusta Campagne

Langue
Année de publication
2018
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